down, there came a fleeting vision which decisively
impassioned Pierre. The street again made a sudden bend, and in one
corner, beyond a short dim alley, there was a blazing gap of light. On a
lower level appeared a white square, a well of sunshine, filled with a
blinding golden dust; and amidst all that morning glory there arose a
gigantic marble column, gilt from base to summit on the side which the
sun in rising had laved with its beams for wellnigh eighteen hundred
years. And Pierre was surprised when the cabman told him the name of the
column, for in his mind he had never pictured it soaring aloft in such a
dazzling cavity with shadows all around. It was the column of Trajan.

The Via Nazionale turned for the last time at the foot of the slope. And
then other names fell hastily from the driver's lips as his horse went on
at a fast trot. There was the Palazzo Colonna, with its garden edged by
meagre cypresses; the Palazzo Torlonia, almost ripped open by recent
"improvements"; the Palazzo di Venezia, bare and fearsome, with its
crenelated walls, its stern and tragic appearance, that of some fortress
of the middle ages, forgotten there amidst the commonplace life of
nowadays. Pierre's surprise increased at the unexpected aspect which
certain buildings and streets presented; and the keenest blow of all was
dealt him when the cabman with his whip triumphantly called his attention
to the Corso, a long narrow thoroughfare, about as broad as Fleet
Street,* white with sunshine on the left, and black with shadows on the
right, whilst at the far end the Piazza del Popolo (the Square of the
People) showed like a bright star. Was this, then, the heart of the city,
the vaunted promenade, the street brimful of life, whither flowed all the
blood of Rome?

* M. Zola likens the Corso to the Rue St. Honore in Paris, but
I have thought that an English comparison would be preferable
in the present version.--Trans.

However, the cab was already entering the Corso Vittorio Emanuele, which
follows the Via Nazionale, these being the two piercings effected right
across the olden city from the railway station to the bridge of St.
Angelo. On the left-hand the rounded apsis of the Gesu church looked
quite golden in the morning brightness. Then, between the church and the
heavy Altieri palace which the "improvers" had not dared to demolish, the
street became narrower, and one entered into cold, damp shade. But a
moment afterwards,