her the
garden was fragrant as a rose-jar with the lid left off, and the very paths
beneath were red and white with fallen petals. Hardy cabbage roses, single
pink and white dailies, yellow-centred damask, and the last splendours of
the giant of battle, all dipped their colours to her as she passed, while
the little rustic summer-house where the walks branched off was but a
flowering bank of maiden's blush and microphylla.

Amid them all, Miss Lydia wandered in her full black gown, putting aside
her filmy ruffles as she tied back a hanging spray or pruned a broken
stalk, sometimes even lowering her thread lace cap as she weeded the tangle
of sweet Williams and touch-me-not. Since her gentle girlhood she had
tended bountiful gardens, and dreamed her virgin dreams in the purity of
their box-trimmed walks. In a kind of worldly piety she had bound her
prayer book in satin and offered to her Maker the incense of flowers. She
regarded heaven with something of the respectful fervour with which she
regarded the world--that great world she had never seen; for "the proper
place for a spinster is her father's house," she would say with her
conventional primness, and send, despite herself, a mild imagination in
pursuit of the follies from which she so earnestly prayed to be
delivered--she, to whom New York was as the terror of a modern Babylon, and
a Jezebel but a woman with paint upon her cheeks. "They tell me that other
women have painted since," she had once said, with a wistful curiosity.
"Your grandmamma, my dear Julia, had even seen one with an artificial
colour. She would not have mentioned it to me, of course,--an unmarried
lady,--but I was in the next room when she spoke of it to old Mrs.
Fitzhugh. She was a woman of the world, was your grandmamma, my dear, and
the most finished dancer of her day." The last was said with a timid pride,
though to Miss Lydia herself the dance was the devil's own device, and the
teaching of the catechism to small black slaves the chief end of existence.
But the blood of the "most finished dancer of her day" still circulated
beneath the old lady's gown and the religious life, and in her attenuated
romances she forever held the sinner above the saint, unless, indeed, the
sinner chanced to be of her own sex, when, probably, the book would never
have reached her hands. For the purely masculine improprieties, her charity
was as boundless as her innocence. She had even dipped into Shakespeare and
br