les. Welcome with your cloister! welcome your walls!

FRANCIS. Ha! Is that it? Beware! Now you have taught me the art of
tormenting you. The sight of me shall, like a fiery-haired fury, drive
out of your head these eternal phantasies of Charles. Francis shall be
the dread phantom ever lurking behind the image of your beloved, like
the fiend-dog that guards the subterranean treasure. I will drag you to
church by the hair, and sword in hand wring the nuptial vow from your
soul. By main force will I ascend your virginal couch, and storm your
haughty modesty with still greater haughtiness.

AMELIA (gives him a slap in the face). Then take that first by way of
dowry!

FRANCIS. Ha! I will be tenfold, and twice tenfold revenged for this!
My wife! No, that honor you shall never enjoy. You shall be my
mistress, my strumpet! The honest peasant's wife shall point her finger
at you as she passes you in the street. Ay, gnash your teeth as
fiercely as you please--scatter fire and destruction from your eyes--
the fury of a woman piques my fancy--it makes you more beautiful, more
tempting. Come, this resistance will garnish my triumph, and your
struggles give zest to my embraces. Come, come to my chamber--I burn
with desire. Come this instant. (Attempts to drag her away).

AMELIA (falls on his neck). Forgive me, Francis! (As he is about to
clasp her in his arms, she suddenly draws the sword at his side, and
hastily disengages herself). Do you see now, miscreant, how I am able
to deal with you? I am only a woman, but a woman enraged. Dare to
approach, and this steel shall strike your lascivious heart to the core
--the spirit of my uncle will guide my hand. Avaunt, this instant!
(She drives him away).

Ah! how different I feel! Now I breathe again--I feel strong as the
snorting steed, ferocious as the tigress when she springs upon the
ruthless destroyer of her cubs. To a cloister, did he say? I thank
thee for the happy thought! Now has disappointed love found a place of
refuge--the cloister--the Redeemer's bosom is the sanctuary of
disappointed love. (She is on the point going).

. . . . . . . . . . . . . . . . . . .

In the acting edition the following scene occurs between Herman and
Francis, immediately before that with Amelia. As Schiller himself
thought this among the happiest of his additions, and regretted that it
was "entirely and very unfortunately overlooked in the first edition,"
it seems desirable to introduce