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Hence the world has always been puzzled in its judgment of the Platonists; their theories are so extravagant, yet their wisdom seems so great. Platonism is a very refined and beautiful expression of our natural instincts, it embodies conscience and utters our inmost hopes. Platonic philosophers have therefore a natural authority, as standing on heights to which the vulgar cannot attain, but to which they naturally and half-consciously aspire. When a man tells you that beauty is the manifestation of God to the senses, you wish you might understand him, you grope for a deep truth in his obscurity, you honour him for his elevation of mind, and your respect may even induce you to assent to what he says as to an intelligible proposition. Your thought may in consequence be dominated ever after by a verbal dogma, around which all your sympathies and antipathies will quickly gather, and the less you have penetrated the original sense of your creed, the more absolutely will you believe it. You will have followed Mephistopheles' advice: -- Im ganzen haltet euch an Worte, So geht euch durch die sichere Pforte Zum Tempel der Gewissheit ein. Yet reflection might have shown you that the word of the master held no objective account of the nature and origin of beauty, but was the vague expression of his highly complex emotions. It is one of the attributes of God, one of the perfections which we contemplate in our idea of him, that there is no duality or opposition between his will and his vision, between the impulses of his nature and the events of his life. This is what we commonly designate as omnipotence and creation. Now, in the contemplation of beauty, our faculties of perception have the same perfection: it is indeed from the experience of beauty and happiness, from the occasional harmony between our nature and our environment, that we draw our conception of the divine life. There is, then, a real propriety in calling beauty a manifestation of God to the senses, since, in the region of sense, the perception of beauty exemplifies that adequacy and perfection which in general we objectify in an idea of God. But the minds that dwell in the atmosphere of these analogies are hardly those that will care to ask what are the conditions and the varieties of this perfection of function, in other words, how it comes about that we perceive beauty at all, or have any inkling of divinity. Only the other philosoph
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