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ffered. And this contest endured. It went on and on, and it was impossible to imagine its coming to a definite termination. It went on so long that to both the participants it seemed to be a permanent thing, a condition that had always existed and that must always exist perpetually. And thus they were discovered by a foray of the hostile party, headed by Roddy Bitts and Herman (older brother to Verman) and followed by the bonded prisoners, Maurice Levy and Georgie Bassett. These and others caught sight of the writhing figures, and charged down upon them with loud cries of triumph. "Pris'ner! Pris'ner! Bonded pris'ner!" shrieked Roddy Bitts, and touched Penrod and Sam, each in turn, with his sabre. Then, seeing that they paid no attention and that they were at his mercy, he recalled the fact that several times, during earlier stages of the game, both of them had been unnecessarily vigorous in "touching" his own rather plump person. Therefore, the opportunity being excellent, he raised his weapon again, and, repeating the words "bonded pris'ner" as ample explanation of his deed, brought into play the full strength of his good right arm. He used the flat of the sabre. WHACK! WHACK! Roddy was perfectly impartial. It was a cold-blooded performance and even more effective than he anticipated. For one thing, it ended the civil war instantly. Sam and Penrod leaped to their feet, shrieking and bloodthirsty, while Maurice Levy capered with joy, Herman was so overcome that he rolled upon the ground, and Georgie Bassett remarked virtuously: "It serves them right for fighting." But Roddy Bitts foresaw that something not within the rules of the game was about to happen. "Here! You keep away from me!" he quavered, retreating. "I was just takin' you pris'ners. I guess I had a right to TOUCH you, didn't I?" Alas! Neither Sam nor Penrod was able to see the matter in that light. They had retrieved their own weapons, and they advanced upon Roddy with a purposefulness that seemed horrible to him. "Here! You keep away from me!" he said, in great alarm. "I'm goin' home." He did go home--but only subsequently. What took place before his departure had the singular solidity and completeness of systematic violence; also, it bore the moral beauty of all actions that lead to peace and friendship, for, when it was over, and the final vocalizations of Roderick Magsworth Bitts, Junior, were growing faint with increasing distance,
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