ficulty was to find any point of contact
between her ideals and Lily's.
Mrs. Hatch swam in a haze of indeterminate enthusiasms, of aspirations
culled from the stage, the newspapers, the fashion journals, and a gaudy
world of sport still more completely beyond her companion's ken. To
separate from these confused conceptions those most likely to advance the
lady on her way, was Lily's obvious duty; but its performance was
hampered by rapidly-growing doubts. Lily was in fact becoming more and
more aware of a certain ambiguity in her situation. It was not that she
had, in the conventional sense, any doubt of Mrs. Hatch's
irreproachableness. The lady's offences were always against taste rather
than conduct; her divorce record seemed due to geographical rather than
ethical conditions; and her worst laxities were likely to proceed from a
wandering and extravagant good-nature. But if Lily did not mind her
detaining her manicure for luncheon, or offering the "Beauty-Doctor" a
seat in Freddy Van Osburgh's box at the play, she was not equally at ease
in regard to some less apparent lapses from convention. Ned Silverton's
relation to Stancy seemed, for instance, closer and less clear than any
natural affinities would warrant; and both appeared united in the effort
to cultivate Freddy Van Osburgh's growing taste for Mrs. Hatch. There was
as yet nothing definable in the situation, which might well resolve
itself into a huge joke on the part of the other two; but Lily had a
vague sense that the subject of their experiment was too young, too rich
and too credulous. Her embarrassment was increased by the fact that
Freddy seemed to regard her as cooperating with himself in the social
development of Mrs. Hatch: a view that suggested, on his part, a
permanent interest in the lady's future. There were moments when Lily
found an ironic amusement in this aspect of the case. The thought of
launching such a missile as Mrs. Hatch at the perfidious bosom of society
was not without its charm: Miss Bart had even beguiled her leisure with
visions of the fair Norma introduced for the first time to a family
banquet at the Van Osburghs'. But the thought of being personally
connected with the transaction was less agreeable; and her momentary
flashes of amusement were followed by increasing periods of doubt.
The sense of these doubts was uppermost when, late one afternoon, she was
surprised by a visit from Lawrence Selden. He found her alone in the
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