FREE BOOKS

Author's List




PREV.   NEXT  
|<   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169  
170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   >>   >|  
he chose the Corinthian: exuberant, but based on the best precedent. The Trenor house is one of his best things--doesn't look like a banqueting-hall turned inside out. I hear Mrs. Trenor wants to build out a new ball-room, and that divergence from Gus on that point keeps her at Bellomont. The dimensions of the Brys' ball-room must rankle: you may be sure she knows 'em as well as if she'd been there last night with a yard-measure. Who said she was in town, by the way? That Farish boy? She isn't, I know; Mrs. Stepney was right; the house is dark, you see: I suppose Gus lives in the back." He had halted opposite the Trenors' corner, and Selden perforce stayed his steps also. The house loomed obscure and uninhabited; only an oblong gleam above the door spoke of provisional occupancy. "They've bought the house at the back: it gives them a hundred and fifty feet in the side street. There's where the ball-room's to be, with a gallery connecting it: billiard-room and so on above. I suggested changing the entrance, and carrying the drawing-room across the whole Fifth Avenue front; you see the front door corresponds with the windows----" The walking-stick which Van Alstyne swung in demonstration dropped to a startled "Hallo!" as the door opened and two figures were seen silhouetted against the hall-light. At the same moment a hansom halted at the curb-stone, and one of the figures floated down to it in a haze of evening draperies; while the other, black and bulky, remained persistently projected against the light. For an immeasurable second the two spectators of the incident were silent; then the house-door closed, the hansom rolled off, and the whole scene slipped by as if with the turn of a stereopticon. Van Alstyne dropped his eye-glass with a low whistle. "A--hem--nothing of this, eh, Selden? As one of the family, I know I may count on you--appearances are deceptive--and Fifth Avenue is so imperfectly lighted----" "Goodnight," said Selden, turning sharply down the side street without seeing the other's extended hand. Alone with her cousin's kiss, Gerty stared upon her thoughts. He had kissed her before--but not with another woman on his lips. If he had spared her that she could have drowned quietly, welcoming the dark flood as it submerged her. But now the flood was shot through with glory, and it was harder to drown at sunrise than in darkness. Gerty hid her face from the light, but it pierced to the cr
PREV.   NEXT  
|<   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169  
170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   >>   >|  



Top keywords:

Selden

 

halted

 
street
 
Trenor
 

Avenue

 

Alstyne

 

hansom

 

dropped

 

figures

 

moment


rolled
 

stereopticon

 

slipped

 

spectators

 
remained
 
floated
 

whistle

 

evening

 

draperies

 

persistently


projected

 

silent

 

incident

 

immeasurable

 

closed

 

deceptive

 

quietly

 

drowned

 

welcoming

 

submerged


spared

 
darkness
 

pierced

 

sunrise

 

harder

 

appearances

 

imperfectly

 

lighted

 

Goodnight

 

family


turning

 

sharply

 

stared

 

thoughts

 

kissed

 

cousin

 

extended

 
measure
 

exuberant

 

Corinthian