109
FORM AND THE NOVEL 118
SINCERITY: THE PUBLISHER AND THE POLICEMAN 124
THREE COMIC GIANTS:
1. _TARTARIN_ 147
2. _FALSTAFF_ 161
3. _MUeNCHAUSEN_ 177
THE ESPERANTO OF ART 191
THE TWILIGHT OF GENIUS 208
A Deceptive Dedication
I
I have shown the manuscript of this book to a well-known author. One of
those staid, established authors whose venom has been extracted by the
mellow years. My author is beyond rancour and exploit; he has earned the
right to bask in his own celebrity, and needs to judge no more, because
no longer does he fear judgment. He is like a motorist who has sowed his
wild petrol. He said to me: 'You are very, very unwise. I never
criticise my contemporaries, and, believe me, it doesn't pay.' Well, I
am unwise; I always was unwise, and this has paid in a coin not always
recognised, but precious to a man's spiritual pride. Why should I not
criticise my contemporaries? It is not a merit to be a contemporary.
Also, they can return the compliment; some of them, if I may venture
upon a turn of phrase proper for Mr Tim Healy, have returned the
compliment before they got it. It may be unwise, but I join with
Voltaire in thanking God that he gave us folly. So I will affront the
condemnatory vagueness of wool and fleecy cloud, be content to think
that nobody will care where I praise, that everybody will think me
impertinent where I judge. I will be content to believe that the
well-known author will not mind if I criticise him, and that the others
will not mind either. I will hope, though something of a Sadducee, that
there is an angel in their hearts.
I want to criticise them and their works because I think the novel, this
latest born of literature, immensely interesting and important. It is
interesting because, more faithfully than any other form, it expresses
the mind of man, his pains that pass, his hopes that fade and are born
again, his discontent pregnant with energy, the unrulinesses in which he
misspends his vigour, the patiences that fit him to endure all things
even though he dare them not. In this, all other forms fail: history,
because it c
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