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l not be ready, a certain number of children will not be able to play at the school recital. Such children should be gathered together at the end of the term, and should play to the mistress who organizes the work. In this way they too will gain experience, and a little focus will have been made for their work. We must add one final suggestion. Each music mistress should keep a register, in which she notes not only the names of her pupils, the times of their lessons, absences, late arrivals, &c., but an exact list of all the work done by them, with dates. This is invaluable, not only for gauging their progress, but as a means of quickly ascertaining their work in musical literature. It is, alas! a day of examinations, and with the many little books of studies and pieces which have to be got up for outside examinations there is a serious fear of the systematic education of a child in classical musical literature being interrupted, or, at any rate, put on one side for a time. Such a book makes it possible for the mistress to keep a definite scheme of work in view for each pupil, and the busier the mistress, the more she will need some such aid to her memory. The pupil should also keep a register, in which she notes the exact amount of time spent daily in practising, and the way in which she divides it. This book should be brought to each music lesson, and should also be shown to the supervising mistress at the end of each term. CHAPTER XIV SUGGESTIONS TO STUDENTS ON LEAVING A TRAINING DEPARTMENT In finishing a course of training along the lines we have been considering, it is well to take a bird's-eye view of what has been done. In all communal work the results fall roughly under two heads: 1. The getting of new ideas, and of new ways of presenting old ideas. 2. The development of character, due to the mixing with fellow students and with those who are directing the work. So far as the actual work is concerned, stress has been laid on the following: 1. The necessity of considering music as a language. 2. Various methods for teaching in accordance with this idea. 3. The principle of the inclusion of the work in the regular curriculum of schools, with class treatment. In the short space of one year, which is all that can be generally spared by the student, it is impossible for her to realize the full bearing of all that has been done. It is only when we see such work in perspective, aft
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