FREE BOOKS

Author's List




PREV.   NEXT  
|<   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157  
158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   >>  
more seductive distinction of manners simple, natural, and full of good taste and ease. At first sight I was struck with his resemblance to Prince Eugene, and to the Empress Josephine, his grandmother. But I did not remark a like resemblance to the Emperor. But by attentively observing the essential features, that is those not depending on more or less fullness or on more or less beard, we soon discover that the Napoleonic type is reproduced with astonishing fidelity. It is, in fact, the same lofty forehead, broad and straight, the same nose, of fine proportions, the same gray eyes, though, the expression is milder. It is particularly the same contour and inclination of the head. The latter especially, when the prince turns, is so full of the Napoleon air, as to make a soldier of the Old Guard thrill at the sight. And if the eye rests on the outline of these forms, it is impossible not to be struck, as if before the head of the Emperor, with the imposing grandeur of the Roman profile, of which the lines, so defined, so grave, I will even add and so solemn, are, as it were, the soul of great destinies. "The distinguishing expression of the features of the young prince is that of nobleness and gravity. And yet, far from being harsh, his countenance, on the contrary, breathes a sentiment of mildness and benevolence. It seems that the maternal type which is preserved in the lower part of his face has come to correct the rigidity of the imperial lines, as the blood of the Beauharnais seems to have tempered in him the southern violence of the Napoleon blood. But what excites the greatest interest is that indefinable tinge of melancholy and thoughtfulness observable in the slightest movement, and revealing the noble sufferings of exile. "But after this portrait you must not figure to yourself one of those elegant young men, those Adonises of romance who excite the admiration of the drawing-room. There is nothing of effeminacy in the young Napoleon. The dark shadows of his countenance indicate an energetic nature. His assured look, his glance at once quick and thoughtful, every thing about him points out one of those exceptional natures, one of those great souls that live by meditating on great things, and that alone are capable of accomplishing them." About this time the young prince wrote as follows to his friend, the poet Belmontet: "Still far from my country, and deprived of all that can render life dear to a manly he
PREV.   NEXT  
|<   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157  
158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   >>  



Top keywords:
prince
 

Napoleon

 

expression

 

countenance

 

Emperor

 
struck
 
resemblance
 

features

 
figure
 

portrait


sufferings

 

distinction

 
seductive
 

admiration

 
drawing
 

excite

 
elegant
 
Adonises
 

romance

 

movement


tempered

 

manners

 

southern

 

violence

 

Beauharnais

 

correct

 

rigidity

 

imperial

 

simple

 

excites


thoughtfulness

 
observable
 

slightest

 

melancholy

 

greatest

 
interest
 

indefinable

 
revealing
 

effeminacy

 
accomplishing

capable
 

meditating

 
things
 
friend
 

country

 

deprived

 
Belmontet
 

natures

 
energetic
 

nature