FREE BOOKS

Author's List




PREV.   NEXT  
|<   189   190   191   192   193   194   195   196   197   198   199   200   201   202   >>  
at last appears in a volume wholly his, which we may regard as the work of a mind in some degree confirmed in its habits of perception and expression. We must allow to the author as great originality as belongs to any of our younger poets. It is true that the presence of the all-pervading Tennyson is more sensibly felt here than in the first poems of Mr. Piatt; but even here it is very faint, and if the diction occasionally reminds of him, Mr. Piatt's poems are undoubtedly conceived in a spirit entirely his own. This spirit, however, is one to which its proper sense of the beautiful is often so nearly sufficient, that the effort to impart it is made with apparent indifference. The poet's ideal so wins him and delights him, in that intangible and airy form which it first wore to his vision, that he seems to think, if he shall put down certain words by virtue of which he can remember its loveliness, he shall also have perfectly realized its beauty to another. We do not know one poem by Mr. Piatt in which a full and clear sense of his whole meaning is at once given to the reader; and he is obscure at times, we fear, because he has not himself a distinct perception of that which he wishes to say, though far oftener his obscurity seems to result from impatience, or the flattery of those hollow and alluring words which beset the dreams of poets, and must be harshly snubbed before they can be finally banished. There are many noble lines in his poems, but not much unity of effect or coherence of sentiment; and it happens now and then that the idea which the reader painfully and laboriously evolves from them is, after all, not a great truth or beauty, but some curious intellectual toy, some plaything of the singer's fancy, some idle stroke of antithesis. In the poem called "At Evening," in which the poet can be so preposterous as to say, "Twilight steals Great stealthy veils of silence over all," occur the following lines, full of the tranquil sweetness and the delicacy of feeling characteristic of Mr. Piatt's best mood:-- "O, dear to me the coming forth of stars! After the trivial tumults of the day They fill the heavens, they hush the earth with awe, And when my life is fretted pettily With transient nothings, it is good, I deem, From darkling windows to look forth and gaze At this new blossoming of Eternity, 'Twixt each To-morrow, and each dead To-day
PREV.   NEXT  
|<   189   190   191   192   193   194   195   196   197   198   199   200   201   202   >>  



Top keywords:

spirit

 

reader

 

beauty

 

perception

 
curious
 

intellectual

 

Eternity

 
blossoming
 

stroke

 
antithesis

singer

 
plaything
 

banished

 

morrow

 
finally
 

harshly

 

snubbed

 

called

 

painfully

 

laboriously


effect

 

coherence

 

sentiment

 
evolves
 

Evening

 

transient

 
trivial
 

nothings

 

coming

 

pettily


tumults

 

heavens

 

fretted

 

stealthy

 
silence
 

steals

 
darkling
 

preposterous

 

Twilight

 
characteristic

feeling

 

delicacy

 
tranquil
 

sweetness

 
windows
 

occasionally

 
diction
 
reminds
 

undoubtedly

 
conceived