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, and said to him,--"See here, Murger, I must confess to you I was a little angry with you; but your arithmetic is more literary than you think it. You have given me a lesson of contemporary literature; and I say to you, as the 'Revue des Deux Mondes' would say, 'Murger, we are even!'" I ran off without waiting for his reply, and whispered to myself, as I went, "And yet Henry Murger is the most talented and the most honest of them all!" * * * * * Let me continue the story of my misfortunes. The tempest was unchained against me. It is true, there were among my adversaries some persons under obligations to me,--some persons who were full of enthusiasm at my first manner, and who would have made wry faces enough, had I published their flattering letters to me,--other persons, to whom I had rendered pecuniary services,--others, again, who had come to me with hat in hand and supple knees, to beg my permission to allow them to dramatize my novels. But what were these miserable considerations, when the great interests of national literature, taste, and glory were at stake? I was the vile detractor, the impious scorner of these glories, and it was but justice that I should be put in the pillory and made the butt of rotten eggs. Voltaire blasphemed, Beranger insulted, Victor Hugo outraged, were offences which cried aloud for chastisement and for vengeance. Balzac's shade especially complained and clamored for justice. It is true, that, while Balzac was alive, he was not accustomed to anything like such admiration. He openly avowed that he detested newspaper-writers, and they returned the detestation with interest. Everybody, while he was alive, declared him to be odd, eccentric, half-crazy, absurd. His friends and his publishers, in fine, everybody who had anything to do with him, told rather disreputable stories about him. No matter for that. Balzac was dead, Balzac was a god, the god of all these livers-by-the-wits, who but for him would have been atheists. Monsieur Paulin Limayrac tore me to pieces in "La Presse." Monsieur Eugene Pelletan shot me in "Le Siecle." Monsieur Taxile Delord mauled me in "Le Charivari." To this episode of my exposition in the pillory belongs an anecdote which I cannot omit. I was about to set off for the country, where I reckoned upon spending some weeks of the month of May, in order to recover somewhat from these incessant attacks made upon me. I had read in a
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