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that it was really so. XXI. Louise asked Maxwell, as soon as they had established their joint faith, whom Godolphin was going to get to play Salome, and he said that Grayson would like to re-engage Miss Pettrell, though he had a theory that the piece would be strengthened, and the effect of Haxard enhanced, if they could have a more powerful Salome. "Mr. Ray told me at lunch," said Louise, impartially but with an air of relief, "that in all the love-making she was delightful; but when it came to the tragedy, she wasn't there." "Grayson seemed to think that if she could be properly rehearsed, she could be brought up to it," Maxwell interposed. "Mr. Ray said she was certainly very refined, and her Salome was always a lady. And that is the essential thing," Louise added, decisively. "I don't at all agree with Mr. Grayson about having Salome played so powerfully. I think Mr. Godolphin is right." "For Heaven's sake don't tell him so!" said Maxwell. "We have had trouble enough to get him under." "Indeed, I shall tell him so! I think he ought to know how we feel." "_We?_" repeated Maxwell. "Yes. What we want for Salome is sweetness and delicacy and refinement; for she has to do rather a bold thing, and yet keep herself a lady." "Well, it may be too late to talk of Miss Pettrell now," said Maxwell. "Your favorite Godolphin parted enemies with her." "Oh, stage enemies! Mr. Grayson can get her, and he must." "I'll tell him what your orders are," said Maxwell. The next day he saw the manager, but nothing had been done, and the affair seemed to be hanging fire again. In the evening, while he was talking it over with his wife in a discouragement which they could not shake off, a messenger came to him with a letter from the Argosy Theatre, which he tore nervously open. "What is it, dear?" asked his wife, tenderly. "Another disappointment?" "Not exactly," he returned, with a husky voice, and after a moment of faltering he gave her the letter. It was from Grayson, and it was to the effect that he had seen Sterne, and that Sterne had agreed to a proposition he had made him, to take Maxwell's play on the road, if it succeeded, and in view of this had agreed to let Yolande Havisham take the part of Salome. Godolphin was going to get all his old company together as far as possible, with the exception of Miss Pettrell, and there was to be little or no delay, because the actors had mostly got back
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