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she longed to see the beloved familiar faces--to see Penelope and Ralph and Lord St. John. She felt as though for the last three months she had been dwelling in some dreadful unknown world, with only boy Sandy to cling to out of the whole unnerving chaos. * * * * * * "You blessed child! I _am_ glad to see you!" Penelope, looking the happiest and most blooming of youthful matrons, was on the platform when the Cornish express steamed into Waterloo station and Nan alighted from it. The two girls embraced warmly. "You can't--you can't possibly be as glad as I am, Penny mine," returned Nan. "Hmf!"--wrinkling up her nose. "_How_ nice London smells!" Penelope burst out laughing. Nan nodded at her seriously. "I mean it. You've no idea how good that smoky, petrolly smell is after the innocuous breezes of the country. It's full of gorgeous suggestions of cars and people and theatres and--and life!" They hurried to the other end of the platform where the porters were disinterring the luggage from the van and dumping it down on the platform with a splendid disregard for the longevity of the various trunks and suit-cases they handled. Nan's attendant porter quickly extricated her baggage from the motley pile, and very soon she and Penelope were speeding away from the station as fast as their chauffeur--whose apparent recklessness was fortunately counter-balanced by consummate skill--could take them. "How nice and familiar it all looks," said Nan, as the car granted up the Haymarket. "And it's heavenly to be going back to the dear old flat. Whereabouts are you looking for a house, by the way?" "Somewhere in Hampstead, we think, where the air--and the rents!--are more salubrious than nearer in." "Of course." Nan nodded. "All singers live at Hampstead. You'd be quite unfashionable if you didn't. I suppose you and Ralph are frightfully busy?" "Yes. But we're free to-night, luckily. So we can yarn to our hearts' content. To-morrow evening we're both singing at the Albert Hall. And, oh, in the afternoon we're going to tea at Maryon's studio. His new picture's on view--private, of course." "What new picture?" "His portrait of the famous American beauty, Mrs. T. Van Decken. I believe she paid a fabulous sum for it; Maryon's all the rage now, you know. So he asked us to come down and see it before it's shipped off to New York. By the way, he enquired after you
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