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refers his own religion, government, social customs--the great things handed down in his traditions. Their very conservatism is according to one of their oldest traditions, which is: =Tradition for Walking Beside the White Man But in Footsteps of Fathers= In 1885, Wicki, chief of the Antelope Society at Walpi, told Mr. A.M. Stephen one of the most complete and interesting variants ever collected of the Snake myth. One of its interesting details concerns a prophesy of the manner in which the Hopitah are to take on the White man's culture. In plain words the Spider Woman tells Tiyo that a time will come when men with white skins and a strange tongue shall come among the Hopitah, and the Snake Brotherhood, having brave hearts, will be first to make friends and learn good from them. But the Hopitah are not to follow in the white men's footsteps but to walk _beside them_, always keeping in the footsteps of their fathers![36] That is just what the Hopi are doing today. [Footnote 36: Stephen, A.M., Hopi Tales: Jour. Amer. Folklore, vol. 42, 1929, p. 37.] ACKNOWLEDGMENTS More than to any one else, I am indebted to Dr. Byron Cummings for guidance in the preparation of this study; to Prof. John H. Provinse for material and suggestion; to Dr. H.S. Colton and Mary Russell F. Colton for the generous use of materials; and to my Hopi friends, Sackongsie of Bacabi, Don Talayesva of Oraibi, Guanyanum Sacknumptewa of Lower Oraibi, Quentin Quahongva of Shungopovi, Dawavantsie of Walpi, and Mother Lalo of Sichomovi, for Hopi stories.--H.G.L. End of the Project Gutenberg EBook of The Unwritten Literature of the Hopi by Hattie Greene Lockett *** END OF THIS PROJECT GUTENBERG EBOOK LITERATURE OF THE HOPI *** ***** This file should be named 15888.txt or 15888.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/5/8/8/15888/ Produced by David Starner, Stephanie Maschek and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying an
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