so much favour, that
both the prince and princess went to see his What d'ye call it, a kind
of mock tragedy, in which the images were comick, and the action grave;
so that, as Pope relates, Mr. Cromwell, who could not hear what was
said, was at a loss how to reconcile the laughter of the audience with
the solemnity of the scene.
Of this performance the value certainly is but little; but it was one of
the lucky trifles that give pleasure by novelty, and was so much
favoured by the audience, that envy appeared against it in the form of
criticism; and Griffin, a player, in conjunction with Mr. Theobald, a
man afterwards more remarkable, produced a pamphlet, called the Key to
the What d'ye call it; which, says Gay, "calls me a blockhead, and Mr.
Pope a knave."
But fortune has always been inconstant. Not long afterwards, 1717, he
endeavoured to entertain the town with Three Hours after Marriage; a
comedy written, as there is sufficient reason for believing, by the
joint assistance of Pope and Arbuthnot. One purpose of it was to bring
into contempt Dr. Woodward, the fossilist, a man not really or justly
contemptible. It had the fate which such outrages deserve: the scene in
which Woodward was directly and apparently ridiculed, by the
introduction of a mummy and a crocodile, disgusted the audience, and the
performance was driven off the stage with general condemnation.
Gay is represented as a man easily incited to hope, and deeply depressed
when his hopes were disappointed. This is not the character of a hero;
but it may naturally imply something more generally welcome, a soft and
civil companion. Whoever is apt to hope good from others is diligent to
please them: but he that believes his powers strong enough to force
their own way, commonly tries only to please himself.
He had been simple enough to imagine that those who laughed at the What
d'ye call it, would raise the fortune of its author; and, finding
nothing done, sunk into dejection. His friends endeavoured to divert
him. The earl of Burlington sent him, 1716, into Devonshire; the year
after, Mr. Pulteney took him to Aix; and, in the following year, lord
Harcourt invited him to his seat, where, during his visit, the two rural
lovers were killed with lightning, as is particularly told in Pope's
letters.
Being now generally known, he published, 1720, his poems, by
subscription, with such success, that he raised a thousand pounds; and
called his friends to a co
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