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er; the four or five miles are completed; and an enormous shout goes up for the winner, whose name--of man and horse and colour--will be for days in everybody's mouth. For his reward he will not only obtain the honour of the palm-branch; he will receive presents in money, gold and silver wreaths, clothes, and various articles of value. Socially he may be but a slave or a person in base esteem; the occupation, however reputable in the Greek portion of the empire, is not for a free-born Roman; nevertheless, like the jockey who wins the Derby, he is the hero of the moment. [Illustration: FIG. 86--CHARIOT-RACE.] Race follows race, with an interval for the midday meal. During that time there will be interludes of acrobatic and other performances. One rider, for example, will stand upright on the back of two or more horses, and will spring continually from one to the other while they are at the gallop. Most of the company will take their refreshments where they are. When a man of some standing was reproached by Augustus for this rather undignified proceeding, he replied: "That is all very well for you, Sire, but your place is sure to be kept." We need not proceed further into details concerning the "events" in the Circus. It may however be worth while to add that the Romans cared nothing for the modern form of race by jockeys on single horses. The Circus is quite a different thing from the oval amphitheatre, a structure for once of native Roman devising, without which no Roman town could consider itself complete. Though the Colosseum was not yet built, there already existed an amphitheatre in the Campus Martius, and such buildings were to be found in all considerable towns which contained a large Roman element. There is one, though of later date than Nero, still to be seen in fair preservation at Verona; the well-known amphitheatre at Pompeii was in full use in the year 64, and other cities--Capua, Puteoli, Nimes, Antioch, or Caesarea--were provided with the joys of the gladiatorial shows and the beast-fight. Only in the thoroughly Greek or thoroughly Oriental part of the empire was the amphitheatre absent. Where there was no fixed building of stone or wood, a temporary structure was erected and a company of gladiators would perform in the place at the expense of some local officer or of some wealthy citizen with social ambitions. Whatever may be thought of the Greeks in other respects, they felt no liking, but only an
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