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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Vol. 13, No. 355., Saturday, February 7, 1829 Author: Various Release Date: February 5, 2004 [EBook #10950] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 355 *** Produced by Jonathan Ingram, and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL 13, No. 355., SATURDAY, FEBRUARY 7, 1829. [PRICE 2d.] VILLAS IN THE REGENT'S PARK. [Illustration: MARQUESS OF HERTFORD'S VILLA.] [Illustration: DORIC VILLA.] The definition of the word _villa_ is a country seat; but the reader will ask, how can a country seat be in the midst of a metropolis, or in its brick and mortar confines? The term, however, admits of various modifications. The villas of the Romans resembled large city palaces removed into the country, and some of them were four times larger than Versailles with its three thousand apartments. The villas of modern Rome likewise more resemble palaces than abodes of domestic convenience; and one of them, the Villa Mondrogone, has more windows than there are days in the year. Such are the Italian villas, of which the name conveys as accurate an idea as the English reader acquires from the French _chateau_, which, in reality, implies a comfortless factory-looking abode, with a blaze of fresco embellishments. The first engraving in the annexed page is the villa, or, we should rather say, the suburban retreat, of the Marquess of Hertford, designed by Mr. Decimus Burton. The noble owner, who has enjoyed the peculiar advantages of travel, and is a man of _vertu_ and fine taste, has selected a design of beautiful simplicity and chastity of style. The entrance-hall is protected by a hexastyle (six column) portico of that singular Athenian order, which embellishes the door of the Tower of the Winds. The roof is Venetian, with projecting eaves; and the wings are surmounted by spacious glass lanterns, which light the upper rooms. The buildings and office
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