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night is on the world. The twilight sheds on the walking birds, on the falling petals, and in the rich shadow the candle burns brightly. The great bridal bed yawns, the lace pillows lie wide, the curtains hang dreamily in the hallowed light. John leans over his drawings. Once again he takes up the architect's notes. "_The interior would be so constructed as to make it impossible to carry up the central tower. The outer walls would not be strong enough to take the large gables and roof. Although the chapel could be done easily, the ambulatory would be of no use, as it would lead probably from the kitchen offices._ "_Would have to reduce work on front facade to putting in new arched entrance. Buttresses would take the place of columns_. "_The bow-window could remain_. "_The roof to be heightened somewhat. The front projection would throw the front rooms into almost total darkness_." "But why not a light timber lantern tower?" thought John. "Yes, that would get over the difficulty. Now if we could only manage to keep my front ... if my design for the front cannot be preserved, I might as well abandon the whole thing! And then?" And then life seemed to him void of meaning and light. He might as well settle down and marry.... His face contracted in an expression of anger. He rose from the table, and he looked round the room. Its appearance was singularly jarring, shattering as it did his dream of the cloister, and up-building in fancy the horrid fabric of marriage and domesticity. The room seemed to him a symbol--with the great bed, voluptuous, the corpulent arm-chair, the toilet-table shapeless with muslin--of the hideous laws of the world and the flesh, ever at variance and at war, and ever defeating the indomitable aspirations of the soul. John ordered his room to be changed; and, in the face of much opposition from his mother, who declared that he would never be able to sleep there, and would lose his health, he selected a narrow room at the end of the passage. He would have no carpet. He placed a small iron bed against the wall; two plain chairs, a screen to keep off the draught from the door, a basin-stand such as you might find in a ship's cabin, and a prie-dieu, were all the furniture he permitted himself. "Oh, what a relief!" he murmured. "Now there is line, there is definite shape. That formless upholstery frets my eye as false notes grate on my ear;" and, becoming suddenly conscious of the presen
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