Mr. TYRONE POWER

ROGERS, a page-boy
Mr. GALWEY HERBERT

MANSON, a butler
Mr. WALTER HAMPDEN

Time--An early morning in Spring.
Place--An English country vicarage.

CHARACTERS REPRESENTED

JAMES PONSONBY MAKESHYFTE, D.D.
The Most Reverend the Lord Bishop of Lancashire

THE REVEREND WILLIAM SMYTHE
The Vicar

AUNTIE
The Vicar's Wife

MARY
Their niece

MR. ROBERT SMITH
A gentleman of necessary occupation

ROGERS
A page-boy

MANSON
A butler

TIME: Now
PLACE: Here

THE SCENE

The scene, which remains unchanged throughout the play, is a room
in the vicarage. Jacobean in character, its oak-panelling and
beamed-ceiling, together with some fine pieces of antique
furniture, lend it an air of historical interest, whilst in all
other respects it speaks of solid comfort, refinement, and
unostentatious elegance. Evidently the room of a rich man, who
has, however, apparently come to some compromise on the difficult
question of his entrance into the Kingdom of Heaven; for the
panelled walls possess, among other decorations, a richly
ornamented crucifix, a Virgin and Child by an old master, certain
saints in ecstasy, and a really remarkable modern oil-painting of
the Divine Author of our religion.

The main door of the room is at the back of the stage, somewhere
towards the middle; it opens upon a hall, at the further side of
which one may perceive, through the open door of another room, a
goodly collection of well-bound and learned-looking volumes--the
vicar's library. At the present moment these tomes of wisdom are
inaccessible, as the library door is blocked up with unsightly
mounds of earth, sewer-pipes, and certain workmen's implements.
The fact is, the vicarage has been greatly disturbed of late, owing
to a defect in the drainage--an unsavory circumstance which
receives further and regretful explication in the play itself.

Returning, then, to the room, one may see, in addition to the main
door described above, another door, to the right of stage, and near
to the audience. The curious may be glad to learn that this leads
into a drawing-room, and incidentally affords one more means of
communication with the house. Another exit is provided on the
opposite side of the stage [left], where a couple of lofty French
windows lead out into the garden. Above the drawing-room door is a
fine old Jacobean mantel-piece: a fire burns brightly in the grate.
To the left of the main