in the development of
a story full of struggle.
THE CLANSMAN. With illustrations by Arthur I. Keller.
While not connected with it in any way, this is a companion volume to
the author's "epoch-making" story _The Leopard's Spots_. It is a
novel with a great deal to it, and which very properly is going to
interest many thousands of readers. * * * It is, first of all, a
forceful, dramatic, absorbing love story, with a sequence of events so
surprising that one is prepared for the fact that much of it is founded
on actual happenings; but Mr. Dixon has, as before, a deeper purpose--he
has aimed to show that the original formers of the Ku Klux Klan were
modern knights errant taking the only means at hand to right intolerable
wrongs.
THE TRAITOR. A Story of the Fall of the Invisible Empire.
Illustrations by C. D. Williams.
The third and last book in this remarkable trilogy of novels relating to
Southern Reconstruction. It is a thrilling story of love, adventure,
treason, and the United States Secret Service dealing with the decline
and fall of the Ku Klux Klan.
COMRADES. Illustrations by C. D. Williams.
A novel dealing with the establishment of a Socialistic Colony upon a
deserted island off the coast of California. The way of disillusionment
is the course over which Mr. Dixon conducts the reader.
THE ONE WOMAN. A Story of Modern Utopia.
A love story and character study of three strong men and two fascinating
women. In swift, unified, and dramatic action, we see Socialism a deadly
force, in the hour of the eclipse of Faith, destroying the home life and
weakening the fiber of Anglo Saxon manhood.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
End of Project Gutenberg's Mistress Nell, by George C. Hazelton, Jr.
*** END OF THIS PROJECT GUTENBERG EBOOK MISTRESS NELL ***
***** This file should be named 31370.txt or 31370.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/1/3/7/31370/
Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
perm
|