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in the development of a story full of struggle. THE CLANSMAN. With illustrations by Arthur I. Keller. While not connected with it in any way, this is a companion volume to the author's "epoch-making" story _The Leopard's Spots_. It is a novel with a great deal to it, and which very properly is going to interest many thousands of readers. * * * It is, first of all, a forceful, dramatic, absorbing love story, with a sequence of events so surprising that one is prepared for the fact that much of it is founded on actual happenings; but Mr. Dixon has, as before, a deeper purpose--he has aimed to show that the original formers of the Ku Klux Klan were modern knights errant taking the only means at hand to right intolerable wrongs. THE TRAITOR. A Story of the Fall of the Invisible Empire. Illustrations by C. D. Williams. The third and last book in this remarkable trilogy of novels relating to Southern Reconstruction. It is a thrilling story of love, adventure, treason, and the United States Secret Service dealing with the decline and fall of the Ku Klux Klan. COMRADES. Illustrations by C. D. Williams. A novel dealing with the establishment of a Socialistic Colony upon a deserted island off the coast of California. The way of disillusionment is the course over which Mr. Dixon conducts the reader. THE ONE WOMAN. A Story of Modern Utopia. A love story and character study of three strong men and two fascinating women. In swift, unified, and dramatic action, we see Socialism a deadly force, in the hour of the eclipse of Faith, destroying the home life and weakening the fiber of Anglo Saxon manhood. Ask for a complete free list of G. & D. Popular Copyrighted Fiction Grosset & Dunlap, 526 West 26th St., New York End of Project Gutenberg's Mistress Nell, by George C. Hazelton, Jr. *** END OF THIS PROJECT GUTENBERG EBOOK MISTRESS NELL *** ***** This file should be named 31370.txt or 31370.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/3/7/31370/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without perm
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