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ere united to him by ties of affection, has commended itself to careful students of his published works. APPENDIX B LOCKHART The most singular instance of the floating dislike to Lockhart's memory, to which I have more than once referred in the text, occurred subsequently to the original publication of my essay, and not very long ago, when my friend Mr. Louis Stevenson thought proper to call Lockhart a "cad." This extraordinary _obiter dictum_ provoked, as might have been expected, not a few protests, but I do not remember that Mr. Stevenson rejoined, and I have not myself had any opportunity of learning from him what he meant. I can only suppose that the ebullition must have been prompted by one of two things, the old scandal about the duel in which John Scott the editor of the _London_ was shot, and a newer one, which was first bruited abroad, I think, in Mr. Sidney Colvin's book on Keats. Both of these, and especially the first, may be worth a little discussion. I do not think that any one who examines Mr. Colvin's allegation, will think it very damaging. It comes to this, that Keats's friend Bailey met Lockhart in the house of Bishop Greig at Stirling, told him some particulars about Keats, extracted from him a promise that he would not use them against the poet, and afterwards thought he recognised some of the details in the _Blackwood_ attack which ranks next to the famous _Quarterly_ article. Here it is to be observed, first, that there is no sufficient evidence that Lockhart wrote this _Blackwood_ article; secondly, that it is by no means certain that if he did, he was making, or considered himself to be making, any improper use of what he had heard; thirdly, that for the actual interview and its tenor we have only a vague _ex parte_ statement made long after date. The other matter is much more important, and as the duel itself has been mentioned more than once or twice in the foregoing pages, and as it is to this day being frequently referred to in what seems to me an entirely erroneous manner, with occasional implications that Lockhart showed the white feather, it may be well to give a sketch of what actually happened, as far as can be made out from the most trustworthy accounts, published and unpublished. One of Lockhart's signatures in _Blackwood_--a signature which, however, like others, was not, I believe, peculiar to him--was "Zeta," and this Zeta assailed the Cockney school in a suff
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