p, she was obliged to stop every now and then and take a deep
breath.
She reached the river at a point where the shore was quite flat and the
water shallow. Without thinking for a moment, without a moment's
hesitation, just as if she were blind, or as if she saw a bridge where
there was none, she walked in.
First she felt the water trickling into her shoes. Then she could feel
her legs getting wet, as her clothes, soft, slippery, and ice-cold,
clung to her body. Now her breast was under the water, and now her neck.
She sank down, glided away, took one deep breath, smiled, and as she
smiled she lost consciousness.
The next day her body was washed up on the shore some distance beyond
the city. It was taken to the morgue of the Rochus Cemetery.
IX
Schwalbe, the sculptor, was attending a funeral. His nephew had died,
and was being buried in the same cemetery.
As he passed by the morgue he caught sight of the body of a girl. After
the child had been buried he went back to the morgue. A few people were
standing near the body, one of whom said, "She was a singer down at the
Academy."
Schwalbe was struck by the pure and beautiful expression on the girl's
face. He studied it long and with no little emotion. Then he went to the
superintendent, and asked if he might take a death mask. The permission
was given him, and in a few hours he returned with the necessary
implements.
When he removed the mask from the face, he held something truly
wonderful in his hands. It showed the features of a sixteen-year-old
girl, a face full at once of sweetness and melancholy, and, most
charming of all, an angelic smile on the curved lips of this mouth of
sorrow. It resembled the work of a renowned artist, so much so that the
sculptor was suddenly seized with a burning desire to regain his lost
art.
He was nevertheless obliged within a week to sell the mask to the caster
by whom he was employed in Pfannenschmied Street. Schwalbe needed ready
money. The caster hung the mask by the door at the entrance to his shop.
X
At the end of December Daniel found himself with not a cent of cash, so
that he was obliged to sell his sole remaining treasure, the score of
the Bach mass in B-minor. Spindler had presented it to him when he left,
and now he had to take it to the second-hand dealer and part with it for
a mere pittance.
Unless he cared to lie in bed the w
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