FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  
ucate either yourselves to the feeling, or your builders to the doing, of what is truly great. 3. Well, but, you will answer, you cannot feel interested in architecture: you do not care about it, and _cannot_ care about it. I know you cannot. About such architecture as is built nowadays, no mortal ever did or could care. You do not feel interested in _hearing_ the same thing over and over again;--why do you suppose you can feel interested in _seeing_ the same thing over and over again, were that thing even the best and most beautiful in the world? Now, you all know the kind of window which you usually build in Edinburgh: here is an example of the head of one (_fig._ 1), a massy lintel of a single stone, laid across from side to side, with bold square-cut jambs--in fact, the simplest form it is possible to build. It is by no means a bad form; on the contrary, it is very manly and vigorous, and has a certain dignity in its utter refusal of ornament. But I cannot say it is entertaining. How many windows precisely of this form do you suppose there are in the New Town of Edinburgh? I have not counted them all through the town, but I counted them this morning along this very Queen Street, in which your Hall is; and on the one side of that street, there are of these windows, absolutely similar to this example, and altogether devoid of any relief by decoration, six hundred and seventy-eight.[1] And your decorations are just as monotonous as your simplicities. How many Corinthian and Doric columns do you think there are in your banks, and post-offices, institutions, and I know not what else, one exactly like another?--and yet you expect to be interested! Nay, but, you will answer me again, we see sunrises and sunsets, and violets and roses, over and over again, and we do not tire of _them_. What! did you ever see one sunrise like another? does not God vary His clouds for you every morning and every night? though, indeed, there is enough in the disappearing and appearing of the great orb above the rolling of the world, to interest all of us, one would think, for as many times as we shall see it; and yet the aspect of it is changed for us daily. You see violets and roses often, and are not tired of them. True! but you did not often see two roses alike, or, if you did, you took care not to put them beside each other in the same nosegay, for fear your nosegay should be uninteresting; and yet you think you can put 150,000 square wind
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>   >|  



Top keywords:
interested
 

counted

 

morning

 

violets

 

square

 
windows
 
Edinburgh
 

suppose

 

architecture

 

nosegay


answer

 
offices
 

expect

 

institutions

 

uninteresting

 

decorations

 

seventy

 

decoration

 

hundred

 

monotonous


simplicities
 

columns

 

Corinthian

 
sunrises
 
disappearing
 
appearing
 
aspect
 

interest

 

changed

 

relief


rolling

 
sunsets
 

sunrise

 

clouds

 

window

 
beautiful
 

single

 

lintel

 

builders

 
feeling

hearing

 

mortal

 

nowadays

 
entertaining
 

precisely

 

similar

 

altogether

 

devoid

 

absolutely

 
Street