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ittle paragraph about it, as I saw once my reeling brain permitted me to read: "At least a score of survivors owe their lives to the bravery of twenty-eight-year-old Navigator Orris Hope, who patrolled both aisles during the panic, lacing life-belts on the injured and helpless, and carrying many to the port. He remained on the sinking liner until the last, finally fighting his way to the surface through the broken walls of the observation room. Among those who owe their lives to the young officer are: Patrick Owensby, New York City; Mrs. Campbell Warren, Boston; Miss Joanna Caldwell, New York City--" I suppose my shout of joy was heard over in the Administration Building, blocks away. I didn't care; if van Manderpootz hadn't been armored in stubby whiskers, I'd have kissed him. Perhaps I did anyway; I can't be sure of my actions during those chaotic minutes in the professor's tiny office. At last I calmed. "I can look her up!" I gloated. "She must have landed with the other survivors, and they were all on that British tramp freighter the _Osgood_, that docked here last week. She must be in New York--and if she's gone over to Paris, I'll find out and follow her!" Well, it's a queer ending. She was in New York, but--you see, Dixon Wells had, so to speak, known Joanna Caldwell by means of the professor's subjunctivisor, but Joanna had never known Dixon Wells. What the ending might have been if--_if_-- But it wasn't; she had married Orris Hope, the young officer who had rescued her. I was late again. End of Project Gutenberg's The Worlds of If, by Stanley Grauman Weinbaum *** END OF THIS PROJECT GUTENBERG EBOOK THE WORLDS OF IF *** ***** This file should be named 22890.txt or 22890.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/8/9/22890/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
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