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s Life of Chopin! What a combination of names to wing the imagination upward into the ethereal regions of beauty, pure art, and lofty emotion! The imperial pianist discourses upon the genius and peculiar gifts of his brother musician. Before us arises a vision of the strong and fiery Hungarian, with clanger of steel, flash of spur, and ring of hoof, compelling his audiences to attention and enthusiastic admiration; and also of the gentle-mannered and suffering, but no less fiery Pole, shrinking from all rude contact, and weaving enchanted melodies and harmonies, teeming with ever-varying pictures of tender love, hopeless despair, chivalric daring, religious resignation, passionate pleading, eloquent disdain, the ardor of battle with the thunder of artillery, the hut of the peasant with its pastoral pleasures, and the assemblage of the noble, the distinguished, the beautiful, with the nameless fascinations of feminine loveliness, the witching caprices of conscious power,--while through all and above all glows the memory of the glorious past and mournful present of his beloved country. The book, in fact, opens a vista into modes of life, manners of being, and trains of thought little known among us, and hence is most deeply interesting. The style is eminently suited to the subject, and the translation of Liszt's French is equal to the original. This is saying much, but not too much; for when a cognate mind becomes thoroughly imbued with the spirit of an author, the transmutation of his ideas into another form of speech becomes a simple and natural process. To those who already know Chopin and are striving to play his music, this book will be invaluable, as giving a deep insight into the meaning and proper mode of rendering his compositions. To those who know nothing of him, and who are still floundering amid the _fade_ and flimsy productions that would fain hide their emptiness and vulgarity under the noble name of music, this life of a true musician will reveal a new world, a new purpose for the drudgery of daily practice, and the expenditure of time, patience, and money. The work, however, is not alone useful for those especially interested in music, but, being free from all repulsive technicalities, will be found highly attractive to the general reader. It contains a subtle dissection of a deeply interesting character, sketches of Heine, George Sand, Eugene de la Croix, Mickiewicz, and other celebrities in the world o
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