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ly's shelves. "It seems almost too good to be true," she said, sniffing the violets and smiling at him. "Nothing is too good to be true," he told her, "and now I have something to ask. That you will come and see my father." "With pleasure." He glanced around the empty shop. "Why not now? There are no customers--and the gray light makes things dreary--. And it is spring in my hothouses--there are a thousand cyclamens for the one you have lost, a thousand violets for every one on the backs of these little elephants--narcissus and daffodils--. Why not?" Why not, indeed? Why not, when Adventure beckoned, go to meet it? She had tied herself for so many years to the commonplace and the practical. And so Miss Emily closed her shop, and went in Ulrich's car, leaving a card tucked in the shop door, "Will reopen at three." It was at one o'clock that Dr. McKenzie came and found that door shut against him. He shook the knob with some impatience, and stamped his foot impotently when no one answered. His orders had come and he must leave for France tomorrow. He had not told Jean, he had come to Emily to ask her to break the news--. He stood there in the snow feeling quite unexpectedly forlorn. Heretofore he had always been able to put his finger on Emily when he had wanted her. He had needed only to beckon and she had followed. And how could he know that she was at that very moment following other beckonings? That she had responded to a call that was not the call of selfish need, but of a subtle understanding of her rare charm. Bruce McKenzie had, perhaps, subconsciously felt that Emily would be fortunate to have a place by his fireside, to bask in his presence--Ulrich Stoelle leading Emily through the moist fragrance of his hot-houses counted himself blessed by the gods to have her there. "You see," he said, "that here it is spring." It was indeed spring, with birds singing, not in cages, but free to fly as they pleased; with the sound of water, as a little artificial stream wound its way over moss-covered rocks set where it might splash and fall over them--with ferns bending down to it and tiny flashing fish following it. "My father did that," Ulrich explained, "when he was younger and stronger. But now he sits in his chair and works at his toys." The workshop of Franz Stoelle was entered through the door of the last hothouse; he had thus always a vista of splashing color--red and purples and
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