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the eye of aesthetic Japanese a room crowded with luxurious upholstery is a specimen of barbaric pomp, delighting the savage and unrefined eye of the hairy foreigners, but shocking to the purged vision and the refined taste of one born in great Niphon. No such tradesman as an upholsterer or furniture-dealer exists in Japan. The country is a paradise for young betrothed couples who would wed with light purses. One sees love in a cottage on a national scale here. That terrible lion of expense, the furnishing of a house, that stands ever in the way of so many loving pairs desirous of marriage and a home of their own, is a bugbear not known in Japan. A chest of drawers for clothing, a few mats, two or three quilts for a bed on the floor, some simple kitchen utensils, and the house is furnished. Why should we litter these neatly matted rooms, why cover with paint and gilding virgin wood of faultless grain, or mar the sweet simplicity and airy roominess of our (Japanese) chambers by loading them with all kinds of unnecessary luxuries? These reflections are broken in upon by Miss Cherry-blossom, one of the maids, who glides in, kneels upon the floor, and sets down a tiny round tray with a baby tea-pot and a cup the size of an egg. Pouring out some tea, enough to half fill one of these porcelain thimbles, she sets it in the socket of another yet tinier tray, and bowing her head coquettishly, begs me to drink. Having long since learned to quaff Japan's fragrant beverage guiltless of milk or sugar, I drain the cup. Miss Cherry-blossom, sitting upright upon her heels, folds her dress neatly under her knees, gives her loose robe a twitch, revealing to advantage her white-powdered neck, the prized point of beauty in a Japanese maiden, and then asks the usual questions as to whence I came, whither I am going, and to what country I belong. These, according to the Japanese code of etiquette, are all polite questions; and in return, violating no dictum which the purists of Kioto or Yeddo have laid down, I inquire her age ("Your honorable years, how many?"). The answer, "_Ju-hachi_," makes known that she is eighteen years of age. Chatting further, I learn what things there are to be seen in the neighborhood, whether foreigners have been there before, the distance to the next village, the history of the old temple near by, etc. All this is told with many a laugh and a little pantomime--she naturally committing the mistake of speaking lo
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