st, and also, perhaps, a little
bit as a man--pootiness is almost a wirtue in itself. I don't think I
shall ever weary of trying to depict it, from its dawn in the toddling
infant to its decline and setting and long twilight in the beautiful
old woman, who has known how to grow old gradually. I like to surround
it with chivalrous and stalwart manhood; and it is a standing
grievance to me that I have to clothe all this masculine escort in
coats and trousers and chimney-pot hats; worse than all, in the
evening dress of the period!--that I cannot surround my divinity with
a guard of honour more worthily arrayed!
Thus, of all my little piebald puppets, the one I value the most is my
pretty woman. I am as fond of her as Leech was of his; of whom,
by-the-way, she is the granddaughter! This is not artistic vanity; it
is pure paternal affection, and by no means prevents me from seeing
her faults; it only prevents me from seeing them as clearly as you do!
Please be not very severe on her, for her grandmother's sake. Words
fail me to express how much I loved her grandmother, who wore a
cricket-cap and broke Aunt Sally's nose seven times.
[Illustration: A PICTORIAL PUZZLE
TENOR WARBLER (_with passionate emphasis on the first word of each
line_)--
"_Me-e-e-e-e-e-t_ me once again, M-e-e-e-e-t me once aga-a-ain--"
_Why does the Cat suddenly jump off the Hearth-rug, rush to the Door,
and make frantic Endeavors to get out_?--_Punch_.]
Will my pretty woman ever be all I wish her to be? All she ought to
be? I fear not! On the mantelpiece in my studio at home there stands a
certain lady. She is but lightly clad, and what simple garment she
wears is not in the fashion of our day. How well I know her! Almost
thoroughly by this time--for she has been the silent companion of my
work for thirty years! She has lost both her arms and one of her feet,
which I deplore; and also the tip of her nose, but that has been made
good!
She is only three feet high, or thereabouts, and quite two thousand
years old, or more; but she is ever young--
"Age cannot wither her, nor custom stale
Her infinite variety!"
and a very giantess in beauty. For she is a reduction in plaster of
the famous statue at the Louvre.
They call her the Venus of Milo, or Melos! It is a calumny--a libel.
She is no Venus, except in good looks; and if she errs at all, it is
on the side of austerity. She is not only pootiness but wirtue
incarnate (if o
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