FREE BOOKS

Author's List




PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  
rushed sleekly back chewed gum incessantly while he practiced picture accompaniments. The place looked desolate, with its empty seats, its bald stage front with the empty picture screen. Stella sat down to wait for the manager. He came in a few minutes; his manner was very curt, business-like. He wanted her to sing a popular song, a bit from a Verdi opera, Gounod's Ave Maria, so that he could get a line on what she could do. He appeared to be a pessimist in regard to singers. "Take the stage right there," he instructed. "Just as if the spot was on you. Now then." It wasn't a heartening process to stand there facing the gum-chewing pianist, and the manager's cigar glowing redly five rows back, and the silent emptinesses beyond,--much like singing into the mouth of a gloomy cave. It was more or less a critical moment for Stella. But she was keenly aware that she had to make good in a small way before she could grasp the greater opportunity, so she did her best, and her best was no mediocre performance. She had never sung in a place designed to show off--or to show up--a singer's quality. She was even a bit astonished herself. She elected to sing the Ave Maria first. Her voice went pealing to the domed ceiling as sweet as a silver bell, resonant as a trumpet. When the last note died away, there was a momentary silence. Then the accompanist looked up at her, frankly admiring. "You're _some_ warbler," he said emphatically, "believe _me_." Behind him the manager's cigar lost its glow. He remained silent. The pianist struck up "Let's Murder Care," a rollicking trifle from a Broadway hit. Last of all he thumped, more or less successfully, through the accompaniment to an aria that had in it vocal gymnastics as well as melody. "Come up to the office, Mrs. Fyfe," Howard said, with a singular change from his first manner. "I can give you an indefinite engagement at thirty a week," he made a blunt offer. "You can sing. You're worth more, but right now I can't pay more. If you pull business,--and I rather think you will,--have to sing twice in the afternoon and twice in the evening." Stella considered briefly. Thirty dollars a week meant a great deal more than mere living, as she meant to live. And it was a start, a move in the right direction. She accepted; they discussed certain details. She did not care to court publicity under her legal name, so they agreed that she should be billed as Madame Benton,--the Madame
PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  



Top keywords:

manager

 
Stella
 
Madame
 

silent

 
looked
 
pianist
 
manner
 

picture

 

business

 

emphatically


Murder
 
gymnastics
 

melody

 
admiring
 
warbler
 

office

 
frankly
 

accompanist

 

trifle

 

Broadway


thumped

 

Behind

 

accompaniment

 

successfully

 

struck

 

remained

 

rollicking

 
direction
 
accepted
 

discussed


living

 

details

 
agreed
 

billed

 

Benton

 

publicity

 

dollars

 

thirty

 

engagement

 
singular

change

 

indefinite

 

evening

 

afternoon

 
considered
 

briefly

 

Thirty

 

silence

 

Howard

 

singer