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n extent that he was able to use it as a healing power. There seemed to me to be really nothing extraordinary in it. The only part of Cellini's narration I did not credit was the soul-transmigration he professed to have experienced; and I put that down to the over-excitement of his imagination at the time of his first interview with Heliobas. But I kept this thought to myself. In any case, I resolved to go to Paris. The great desire of my life was to be in perfect health, and I determined to omit no means of obtaining this inestimable blessing. Cellini watched me as I remained standing before him in silent abstraction. "Will you go?" he inquired at last. "Yes; I will go," I replied. "But will you give me a letter to your friend?" "Leo has taken it and all necessary explanations already," said Cellini, smiling; "I knew you would go. Heliobas expects you the day after to-morrow. His residence is Hotel Mars, Champs Elysees. You are not angry with me, mademoiselle? I could not help knowing that you would go." I smiled faintly. "Electricity again, I suppose! No, I am not angry. Why should I be? I thank you very much, signor, and I shall thank you more if Heliobas indeed effects my cure." "Oh, that is certain, positively certain," answered Cellini; "you can indulge that hope as much as you like, mademoiselle, for it is one that cannot be disappointed. Before you leave me, you will look at your own picture, will you not?" and, advancing to his easel, he uncovered it. I was greatly surprised. I thought he had but traced the outline of my features, whereas the head was almost completed. I looked at it as I would look at the portrait of a stranger. It was a wistful, sad-eyed, plaintive face, and on the pale gold of the hair rested a coronal of lilies. "It will soon be finished," said Cellini, covering the easel again; "I shall not need another sitting, which is fortunate, as it is so necessary for you to go away. And now will you look at the 'Life and Death' once more?" I raised my eyes to the grand picture, unveiled that day in all its beauty. "The face of the Life-Angel there," went on Cellini quietly, "is a poor and feeble resemblance of the One I love. You knew I was betrothed, mademoiselle?" I felt confused, and was endeavouring to find an answer to this when he continued: "Do not trouble to explain, for _I_ know how YOU knew. But no more of this. Will you leave Cannes to-morrow?" "Yes. In th
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