ay of all days--come,
come, come!" So it had stood, ringing out the chimes for one generation
after another through hundreds of years, and now it is calling to us.
And the young folks are there, looking at one another in their new
clothes, and blowing their noses on clean white handkerchiefs, so
carefully folded. There comes Peter Ronningen, passed by good luck this
year, but forced to turn out in a jacket borrowed from Peer, as
the tailor wasn't ready with his own new things. The boys say
"how-do-you-do" and try to smile like grown-up folks. One or two of them
may have some little account dating from old school-fights waiting to
be settled--but, never mind--just as well to forget old scores now. Peer
caught sight of Johan Koja, who stole a pencil from him last summer,
but, after all, even that didn't seem worth making a fuss about. "Well,
how've you been getting on since last summer?" they ask each other, as
they move together up the stone steps to the big church door, through
which the peal of the organ comes rolling out to meet them.

How good it seems, and how kind, the little church, where all you see
bids you welcome! Through the stained-glass windows with their tiny
leaded panes falls a light so soft that even poor ugly faces seem
beautiful. The organ tones are the very light itself turned into sweet
sound. On one side of the nave you can see all the boys' heads, sleek
with water; on the other the little mothers to be, in grown-up dress
to-day for the first time, kerchief on head and hymn-book in hand, and
with careful faces. And now they all sing. The elder folks have taken
their places farther back to-day, but they join in, looking up now and
again from the book to those young heads in front, and wondering how
they will fare in life. And the young folk themselves are thinking as
they sing, "To-day is the beginning of new things. Play and frolic are
over and done with; from today we're grown-up." But the church and all
in it seemed to say: "If ever you are in heavy trouble, come hither to
me." Just look at that altar-piece there--the wood-carvings are a whole
Bible in themselves--but Moses with the Tables of the Law is gentle of
face to-day; you can see he means no harm after all. St. Peter, with the
keys, pointing upwards, looks like a kind old uncle, bringing something
good home from market. And then the angels on the walls, pictured or
carved in wood, have borrowed the voice of the organ and the tones of
the