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imals and could tell a hundred traits of the ingenuity, reasoning, and philosophical powers of cats, dogs, and birds, I am bound to confess that animals wholly lack any feeling for art. Never have I seen a single one notice a picture, and the story of the birds that picked at the grapes in the painting by Zeuxis, strikes me as a piece of invention. It is precisely the feeling for ornament and art that distinguishes man from brutes. Dogs never look at pictures and never put on earrings. Well, Myrza, at the sight of the portrait placed against the wall by Bonnegrace, sprang from the stool on which she was lying curled up, dashed at the canvas and barked furiously at it, trying to bite the stranger who had made his way into the room. Great was her surprise when she found herself compelled to recognise that she had a plane surface before her, that her teeth could not lay hold of it, and that it was no more than a vain presentment. She smelled the picture, tried to wedge in behind the frame, looked at us both with a glance of questioning and wonder, and returned to her place, where she disdainfully went to sleep again, refusing to have anything more to do with the painted individual. Myrza's features will not be lost to posterity, for there is a fine portrait of her by the Hungarian artist, Victor Madarasz. Let me close with the story of Dash. One day a dealer in broken bottles and glass stopped at my door in quest of such wares. He had in his cart a puppy, three or four months old, which he had been commissioned to drown, whereat the worthy fellow grieved much, for the dog kept looking at him with a tender and beseeching look as if he knew well what was going to happen. The reason of the severe sentence passed on the puppy was that he had broken his fore paw. My heart was filled with pity for him, and I took charge of the condemned creature; called in a vet, and had Dash's paw set in splints and bandaged. It was impossible, however, to stop him gnawing at the dressings; the paw could not be cured, and the bones not having knitted, it hung limp like the sleeve of a man who has lost an arm. His infirmity, however, did not prevent his being jolly, lively, and full of fun, and he managed to race along quite fast on his three legs. He was an out and out street dog, a rascally little cur that Buffon himself would have been puzzled to classify. He was ugly, but his features were uncommonly mobile and sparkled with cleverness. H
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