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y; =Argument=, which discovers truth and rejects error; and =Persuasion=, which urges to certain thoughts or acts. The first two are the bases of fiction; the third didactic, scientific, historical and editorial writings. The fourth and fifth are mostly employed in conjunction with the third, in scientific, philosophical, and partisan literature. All these principles, however, are usually mingled with one another. The work of fiction may have its scientific, historical, or argumentative side; whilst the textbook or treatise may be embellished with descriptions and anecdotes. Description Description, in order to be effective, calls upon two mental qualities; observation and discrimination. Many descriptions depend for their vividness upon the accurate reproduction of details; others upon the judicious selection of salient, typical, or significant points. One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential. As an example, let us consider the following list of epithets applicable to a =fountain=, taken from Richard Green Parker's admirable work on composition. Crystal, gushing, rustling, silver, gently-gliding, parting, pearly, weeping, bubbling, gurgling, chiding, clear, grass-fringed, moss-fringed, pebble-paved, verdant, sacred, grass-margined, moss-margined, trickling, soft, dew-sprinkled, fast-flowing, delicate, delicious, clean, straggling, dancing, vaulting, deep-embosomed, leaping, murmuring, muttering, whispering, prattling, twaddling, swelling, sweet-rolling, gently-flowing, rising, sparkling, flowing, frothy, dew-distilling, dew-born, exhaustless, inexhaustible, never-decreasing, never-failing, heaven-born, earth-born, deep-divulging, drought-dispelling, thirst-allaying, refreshing, soul-refreshing, earth-refreshing, laving, lavish, plant-nourishing. For the purpose of securing epithets at once accurate and felicitous, the young author should familiarize himself thoroughly with the general aspect and phenomena of Nature, as well as with the ideas and associations which these things produce in the human mind. Descriptions may be of objects, of places, of animals, and of persons. The complete description of an object may be said to consist of the following elements: 1. When, where, and how se
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