he inside covers of
this issue. "Pioneer Life in Kansas," by Mrs. John Cole, is a
delightfully graphic picture of the trials and adventures of the early
settlers in the West. Being written from actual personal experience, the
various incidents leave a lasting impression on the mind of the reader,
while a pleasing smoothness of style enhances the vividness of the
narrative. "Memory-Building" is the first of a series of psychological
articles by our master amateur, Maurice W. Moe. It is here demonstrated
quite conclusively, that the faculty of memory is dependent on the
fundamental structure and quality of the brain, and may never be
acquired or greatly improved through cultivation. "Evening at Magnolia
Springs," by Laura E. Moe, exhibits the same type of literary talent
that her gifted husband possesses; in fact, this sketch may be compared
with Mr. Moe's well-known "Cedar Lake Days." The use of trivial
incidents gives an intense naturalness to the description. "Caught," by
Ruth M. Lathrop, is a brilliant short story whose development and climax
are natural and unforced. Fiction is generally the amateur's weakest
spot, but Miss Lathrop is evidently one of the few shining exceptions.
So thoroughly excellent is _The Trail_, that we hope to see not merely a
second issue, but its permanent establishment as one of the United's
leading magazines.
_The Tryout_ for June belongs to the National, but contains much matter
by United members. "Tempora Mutantur," a very meritorious short story by
Marguerite Sisson, affords an illuminating contrast between the solid
culture of 1834 and the detestable shallowness of the present time. This
prevailing frivolity and unscholarliness is something which the United
is seeking to remedy, and we are thankful indeed for stories such as
this, which expose modern levity in all its nauseousness. It is evident
that Miss Sisson is emulating the appreciative Anne Carroll of 1834,
rather than her obtuse and indifferent descendant. "The District
School," by Edna R. Guilford, describes very vividly the many petty
annoyances that beset the average teacher. While the picture is
extremely well presented as a whole, certain roughnesses of diction
nevertheless arrest the critical eye. "Onto," in the first paragraph, is
a provincialism which should be superseded by "to." Further on we hear
the teacher admonishing a youth to wash up some ink, and "wash it
_good_"! Would a _teacher_ thus express herself? "Well"
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