FREE BOOKS

Author's List




PREV.   NEXT  
|<   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138  
139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   >>   >|  
rnamental patterns being formed by flush sections where the cutting of the flutes is interrupted. In both instances the original fireplace opening has been partially closed up, in one case for a Franklin stove, and in the other for a hob grate, both for burning coal. The mantel at Number 312 Cypress Street, with its well-proportioned entablature and paneled pilasters, displays a central panel in the frieze similar to the foregoing examples, but possesses a more distinct Adam character in the human figures in composition applied to the pilaster projections of the frieze, and in the drillings of the upper fascia of the architrave, simulating festoons. A reeded ovolo and deeply cut and drilled denticulated member lend sufficient emphasis to the string course of the cornice. At Number 729 Walnut Street is to be seen a typically Adam mantel of exceptional grace and beauty. Instead of the usual pilasters the entablature is supported by two pairs of slender reeded colonnettes, and the fireplace opening is framed by moldings in which a torus enriched with a rope motive is prominent. The shelf or cymatium of the entablature has round corners and is supported by pilaster projections above the colonnettes at each end and by a projecting central panel, all of these projections being vertical fluted in the frieze portion. Both the central panel and the sunken panels each side of it bear graceful festoons and straight hanging garlands suspended from flower ornaments, the central space of both sunken panels being occupied by a small, sharply delineated medallion in white, suggestive of wedgewood. This composition work was nicely detailed and is still well preserved. Below, the upper fascia of the architrave is enriched in accord with the Adam spirit. Drillings forming festoons with a tiny ornament above alternate with groups of seven vertical dotted lines. The fireplace opening has been closed up with stone slabs to inclose a Franklin stove for burning coal, the effect being much the same as a hob grate. In terms of dainty grace and chaste simplicity this is one of the best mantels in Philadelphia. CHAPTER XI INTERIOR WOOD FINISH Mantels and staircases, the most important architectural features of interiors, were very properly elaborated considerably beyond the somewhat negative character of background accessories by the builders of Colonial times. Virtually furnishings as well as necessary parts of the house, the
PREV.   NEXT  
|<   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138  
139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   >>   >|  



Top keywords:

central

 
projections
 

frieze

 
entablature
 

opening

 

festoons

 

fireplace

 

enriched

 

vertical

 

panels


sunken

 

supported

 
pilasters
 

reeded

 

pilaster

 

fascia

 
architrave
 

composition

 
Street
 

character


colonnettes
 

Franklin

 

closed

 

burning

 

mantel

 

Number

 

forming

 

preserved

 

Drillings

 

accord


hanging

 

ornament

 

spirit

 
alternate
 
inclose
 

effect

 

groups

 
dotted
 

nicely

 

sharply


delineated

 

occupied

 

suspended

 

ornaments

 

medallion

 
garlands
 

flower

 
suggestive
 

wedgewood

 

detailed