nipped, shrivelled by the frost,
to fall at last but fair
with a russet coat.
Or the melon--
let it bleach yellow
in the winter light,
even tart to the taste--
it is better to taste of frost--
the exquisite frost--
than of wadding and of dead grass.
For this beauty,
beauty without strength,
chokes out life.
I want wind to break,
scatter these pink-stalks,
snap off their spiced heads,
fling them about with dead leaves--
spread the paths with twigs,
limbs broken off,
trail great pine branches,
hurled from some far wood
right across the melon-patch,
break pear and quince--
leave half-trees, torn, twisted
but showing the fight was valiant.
O to blot out this garden
to forget, to find a new beauty
in some terrible
wind-tortured place.
SEA POPPIES
Amber husk
fluted with gold,
fruit on the sand
marked with a rich grain,
treasure
spilled near the shrub-pines
to bleach on the boulders:
your stalk has caught root
among wet pebbles
and drift flung by the sea
and grated shells
and split conch-shells.
Beautiful, wide-spread,
fire upon leaf,
what meadow yields
so fragrant a leaf
as your bright leaf?
LOSS
The sea called--
you faced the estuary,
you were drowned as the tide passed.--
I am glad of this--
at least you have escaped.
The heavy sea-mist stifles me.
I choke with each breath--
a curious peril, this--
the gods have invented
curious torture for us.
One of us, pierced in the flank,
dragged himself across the marsh,
he tore at the bay-roots,
lost hold on the crumbling bank--
Another crawled--too late--
for shelter under the cliffs.
I am glad the tide swept you out,
O beloved,
you of all this ghastly host
alone untouched,
your white flesh covered with salt
as with myrrh and burnt iris.
We were hemmed in this place,
so few of us, so few of us to fight
their sure lances,
the straight thrust--effortless
with slight life of muscle and shoulder.
So straight--only we were left,
the four of us--somehow shut off.
And the marsh dragged one back,
and another perished under the cliff,
and the tide swept you out.
Your feet cut steel on the pat
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