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id aloud, "The Tin Soldier!" The fish had been caught, carried to market, bought, and taken into the kitchen, where the cook cut him open with a large knife. She seized the Soldier round the body with both her hands and carried him into the room, where all were anxious to see the remarkable man who had traveled about in the inside of a fish; but the Tin Soldier was not at all proud. They placed him on the table, and there--no! What curious things may happen in the world. The Tin Soldier was in the very room in which he had been before! He saw the same children, and the same toys stood on the table; and there was the pretty castle with the graceful little Dancer. She was still balancing herself on one leg, and held the other extended in the air. She was hardy too. That moved the Tin Soldier; he was very nearly weeping tin tears, but that would not have been proper. He looked at her, but they said nothing to each other. Then one of the little boys took the Tin Soldier and flung him into the stove. He gave no reason for doing this. It must have been the fault of the Goblin in the snuff-box. The Tin Soldier stood there quite illuminated, and felt a heat that was terrible; but whether this heat proceeded from the real fire or from love he did not know. The colors had quite gone off from him; but whether that had happened on the journey, or had been caused by grief, no one could say. He looked at the little lady, she looked at him, and he felt that he was melting; but he still stood firm, shouldering his musket. Then suddenly the door flew open, and the draught of air caught the Dancer, and she flew like a sylph just into the stove to the Tin Soldier, and flashed up in a flame, and she was gone. Then the Tin Soldier melted down into a lump; and when the servant-maid took the ashes out next day, she found him in the shape of a little tin heart. But of the Dancer nothing remained but the tinsel rose, and that was burned as black as a coal. 198 "The Ugly Duckling" has always been regarded as one of Andersen's most exquisite stories. No one can fail to notice the parallel that suggests itself between the successive stages in the duckling's history and those in Andersen's own life. In this story, remarks Dr. Brandes, "there is the quintessence of the author's entire life (melancholy, humor, martyrdom, triumph) and of his whole nature: th
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