swells
My sleeping-room to hills, and woods, and dells!
I walk abroad, for naught my footsteps hinder,
And fling my arms. Oh! mi! I've broke the _winder_!
_Unknown._
IX
PARODY
THE HIGHER PANTHEISM IN A NUTSHELL
One, who is not, we see; but one, whom we see not, is;
Surely, this is not that; but that is assuredly this.
What, and wherefore, and whence: for under is over and under;
If thunder could be without lightning, lightning could be without
thunder.
Doubt is faith in the main; but faith, on the whole, is doubt;
We cannot believe by proof; but could we believe without?
Why, and whither, and how? for barley and rye are not clover;
Neither are straight lines curves; yet over is under and over.
One and two are not one; but one and nothing is two;
Truth can hardly be false, if falsehood cannot be true.
Parallels all things are; yet many of these are askew;
You are certainly I; but certainly I am not you.
One, whom we see not, is; and one, who is not, we see;
Fiddle, we know, is diddle; and diddle, we take it, is dee.
_Algernon Charles Swinburne._
NEPHELIDIA
From the depth of the dreamy decline of the dawn through a notable
nimbus of nebulous moonshine,
Pallid and pink as the palm of the flag-flower that flickers with fear
of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel of
mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and
threaten with throbs through the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's
appalled agitation,
Fainter with fear of the fires of the future than pale with the
promise of pride in the past;
Flushed with the famishing fulness of fever that reddens with radiance
of rathe recreation,
Gaunt as the ghastliest of glimpses that gleam through the gloom of
the gloaming when ghosts go aghast?
Nay, for the nick of the tick of the time is a tremulous touch on the
temples of terror,
Strained as the sinews yet strenuous with strife of the dead who is
dumb as the dust-heaps of death;
Surely no soul is it, sweet as the spasm of erotic emotional exquisite
error,
Bathed in
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