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MAGIC AND SORCERY. By THOMAS WRIGHT, Esq., F.S.A., Author of "England under the House of Hanover, illustrated by the Caricatures and Satires of the Day." RICHARD BENTLEY, New Burlington Street, (Publisher in Ordinary to Her Majesty) * * * * * This day, crown 8vo cloth, price 4s. 6d. LONDON AS IT IS TO-DAY, WHERE TO GO, and WHAT TO SEE during THE GREAT EXHIBITION. With a Map and 300 Engravings on Wood. THE CRYSTAL PALACE, ITS ORIGIN, HISTORY, and CONSTRUCTION. No. I. price 11/2d. To be completed in 12 Numbers. London: H. G. CLARKE & CO., 4. Exeter Change. * * * * * WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. Parliament Street, London. VALUABLE NEW PRINCIPLE. Payment of premiums may be occasionally suspended without forfeiting the policy, on a new and valuable plan, adopted by this society only, as fully detailed in the prospectus. A. SCRATCHLEY, M.A., Actuary and Secretary; Author of "Industrial Investment and Emigration; being a Second Edition of a Treatise on Benefit Building Societies, &c." Price 10s. 6d. London: J. W. PARKER, West Strand. * * * * * Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, April 5. 1851. End of the Project Gutenberg EBook of Notes and Queries, Number 75, April 5, 1851, by Various *** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** ***** This file should be named 23402.txt or 23402.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/4/0/23402/ Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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