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blood of Jesus Christ cleanseth from _all_ sin;" and if his life and death throw light upon any passage of Scripture, they seem to bring out in strong relief the words, "Let him that thinketh he standeth take heed lest he fall." ------------------------------------------------------------------------ It was a bright breezy morning when our three heroes stood on the deck of a homeward-bound vessel and gazed wistfully over the taffrail at the fast-receding shore. When the island sank like a little cloud into the horizon and disappeared, Mark and Ebony turned their eager eyes in the direction of old England, as if they half expected that celebrated isle of the west to appear! Possibly the one was thinking of a fair one with golden hair and blue eyes and a rosebud mouth. It is not improbable that the other was engaged in mental contemplation of a dark one with "a flat nose, and a coal-scuttle mout', an' such eyes!" As for Hockins, he stood with his sea-legs wide apart, his hands in his breeches pockets, and his eyes frowning severely at the deck. Evidently his thoughts, whether of past, present, or future, were too deep for utterance, for, like his comrades, he maintained unbroken silence. Leaving them thus in pensive meditation, we regretfully bid them--and our readers--farewell! ------------------------------------------------------------------------ Note 1. Those who wish for fuller information will find it in such works as _Madagascar and its People_, by James Sibree, Junior; _Madagascar, its Missions and its Martyrs; The History of Madagascar_, etcetera, by Reverend William Ellis; _Madagascar of To-day_, (a threepenny volume), by G.A. Shaw, FZS, etcetera. THE END. End of the Project Gutenberg EBook of The Fugitives, by R.M. Ballantyne *** END OF THIS PROJECT GUTENBERG EBOOK THE FUGITIVES *** ***** This file should be named 23263.txt or 23263.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/2/6/23263/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General
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