FREE BOOKS

Author's List




PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  
and the greater part of their suite were killed: but Don Pietro was caught. He revealed the atrocity of his mistress; and she was sent to prison. Incapable of proving her innocence, and prevented from escaping, in spite of 15,000 golden crowns with which she hoped to bribe her jailors, she was finally beheaded. Thus did a vulgar and infamous Messalina, distinguished only by rare beauty, furnish Luini with a S. Catherine for this masterpiece of pious art! The thing seems scarcely credible. Yet Bandello lived in Milan while the Church of S. Maurizio was being painted; nor does he show the slightest sign of disgust at the discord between the Contessa's life and her artistic presentation in the person of a royal martyr. A HUMANIST'S MONUMENT In the Sculpture Gallery of the Brera is preserved a fair white marble tomb, carved by that excellent Lombard sculptor, Agostino Busti. The epitaph runs as follows:-- En Virtutem Mortis nesciam. Vivet Lancinus Curtius Saecula per omnia Quascunque lustrans oras, Tantum possunt Camoenae. 'Look here on Virtue that knows nought of Death! Lancinus Curtius shall live through all the centuries, and visit every shore of earth. Such power have the Muses.' The timeworn poet reclines, as though sleeping or resting, ready to be waked; his head is covered with flowing hair, and crowned with laurel; it leans upon his left hand. On either side of his couch stand cupids or genii with torches turned to earth. Above is a group of the three Graces, flanked by winged Pegasi. Higher up are throned two Victories with palms, and at the top a naked Fame. We need not ask who was Lancinus Curtius. He is forgotten, and his virtue has not saved him from oblivion; though he strove in his lifetime, _pro virili parte_, for the palm that Busti carved upon his grave. Yet his monument teaches in short compass a deep lesson; and his epitaph sums up the dream which lured the men of Italy in the Renaissance to their doom. We see before us sculptured in this marble the ideal of the humanistic poet-scholar's life: Love, Grace, the Muse, and Nakedness, and Glory. There is not a single intrusive thought derived from Christianity. The end for which the man lived was Pagan. His hope was earthly fame. Yet his name survives, if this indeed be a survival, not in those winged verses which were to carry him abroad across the earth, but in the marble of a cunning craftsman, scanned now and then by a wandering sc
PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  



Top keywords:

Curtius

 

Lancinus

 

marble

 
winged
 
carved
 

epitaph

 
virtue
 

throned

 

forgotten

 

Victories


turned
 

crowned

 

laurel

 

flowing

 

covered

 
sleeping
 

reclines

 

resting

 

Graces

 
Pegasi

flanked

 
torches
 

cupids

 

Higher

 

earthly

 

single

 

intrusive

 
thought
 

Christianity

 

derived


survives

 

scanned

 

craftsman

 

wandering

 

cunning

 

survival

 

verses

 

abroad

 

Nakedness

 

teaches


monument

 

compass

 

lesson

 

strove

 

oblivion

 

lifetime

 
virili
 

humanistic

 

scholar

 

sculptured