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ngly to yield herself she sought. Seeming not won, yet won she was at length. In such wars women use but half their strength. Leander now, like Theban Hercules, Entered the orchard of th' Hesperides; Whose fruit none rightly can describe but he That pulls or shakes it from the golden tree. And now she wished this night were never done, And sighed to think upon th' approaching sun; For much it grieved her that the bright daylight Should know the pleasure of this blessed night, And them, like Mars and Erycine, display Both in each other's arms chained as they lay. Again, she knew not how to frame her look, Or speak to him, who in a moment took That which so long so charily she kept, And fain by stealth away she would have crept, And to some corner secretly have gone, Leaving Leander in the bed alone. But as her naked feet were whipping out, He on the sudden clinged her so about, That, mermaid-like, unto the floor she slid. One half appeared, the other half was hid. Thus near the bed she blushing stood upright, And from her countenance behold ye might A kind of twilight break, which through the hair, As from an orient cloud, glimpsed here and there, And round about the chamber this false morn Brought forth the day before the day was born. So Hero's ruddy cheek Hero betrayed, And her all naked to his sight displayed, Whence his admiring eyes more pleasure took Than Dis, on heaps of gold fixing his look. By this, Apollo's golden harp began To sound forth music to the ocean, Which watchful Hesperus no sooner heard But he the bright day-bearing car prepared And ran before, as harbinger of light, And with his flaring beams mocked ugly night, Till she, o'ercome with anguish, shame, and rage, Danged down to hell her loathsome carriage. (The end of the Second Sestiad) ***END OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER*** ******* This file should be named 18781.txt or 18781.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/7/8/18781 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this
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