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it. Pay the reckoning, brother." And when we were once more upon the road Mr. Petulengro began to talk of the place which he conceived would serve me as a retreat under present circumstances. "I tell you frankly, brother, that it is a queer kind of place, and I am not very fond of pitching my tent in it, it is so surprisingly dreary. It is a deep dingle in the midst of a large field, on an estate about which there has been a lawsuit for some years past. I daresay you will be quiet enough, for the nearest town is five miles distant, and there are only a few huts and hedge public-houses in the neighbourhood. Brother, I am fond of solitude myself, but not that kind of solitude: I like a quiet heath, where I can pitch my house, but I always like to have a gay stirring place not far off, where the women can pen dukkerin, {63a} and I myself can sell or buy a horse, if needful--such a place as the Chong Gav. {63b} I never feel so merry as when there, brother, or on the heath above it, where I taught you Rommany." Shortly after this discourse we reached a milestone, and a few yards from the milestone, on the left hand, was a cross-road. Thereupon Mr. Petulengro said, "Brother, my path lies to the left; if you choose to go with me to my camp, good; if not, Chal Devlehi." {63c} But I again refused Mr. Petulengro's invitation, and, shaking him by the hand, proceeded forward alone, and about ten miles farther on I reached the town of which he had spoken, and following certain directions which he had given, discovered, though not without some difficulty, the dingle which he had mentioned. It was a deep hollow in the midst of a wide field, the shelving sides were overgrown with trees and bushes, a belt of sallows surrounded it on the top, a steep winding path led down into the depths, practicable, however, for a light cart, like mine; at the bottom was an open space, and there I pitched my tent, and there I contrived to put up my forge, "I will here ply the trade of kaulomescro," {64} said I. CHAPTER II--THE SHOEING OF AMBROL. It has always struck me that there is something highly poetical about a forge. I am not singular in this opinion: various individuals have assured me that they never pass by one, even in the midst of a crowded town, without experiencing sensations which they can scarcely define, but which are highly pleasurable. I have a decided penchant for forges, especially rural ones placed in som
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