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was too late. Nero stared at them as they advanced to take hold of him, with a wild and frightful expression of countenance, which shocked all who saw him, and in the midst of this agony of terror, he sank down and died. The news of the tyrant's death spread with the utmost rapidity in all directions. A courier immediately set off for the north to carry tidings of the event to Galba. People flocked from all quarters to the house of Phaon to gaze on the lifeless body, and to exult in the monster's death. The people of the city gave themselves up to the wildest and most extravagant joy. They put on caps such as were worn by manumitted slaves when first obtaining their freedom, and roamed about the city expressing in every possible way the exultation they felt at their deliverance, and breaking down and destroying the statues of Nero wherever they could find them. In the mean time Galba was steadily advancing on the way to Rome. In due time he made his entry into the city, and embassadors came to him there from all parts of the Roman world to acknowledge him as the reigning emperor. At this time he was seventy-three years old. So that the number seventy-three of which the oracle had warned Nero to beware, denoted the age of his rival and enemy,--not his own. THE END. TRANSCRIBER'S NOTES 1. Minor changes have been made to correct typesetters errors, and to ensure consistent spelling and punctuation in this etext; otherwise, every effort has been made to remain true to the original book. 2. The chapter summaries in this text were originally published as banners in the page headers, and have been moved to beginning of the chapter for the reader's convenience. End of the Project Gutenberg EBook of Nero, by Jacob Abbott *** END OF THIS PROJECT GUTENBERG EBOOK NERO *** ***** This file should be named 27312.txt or 27312.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/3/1/27312/ Produced by D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties
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