logie_.]

[Footnote 3: Grimm.]

[Footnote 4: Grimm.]

[Footnote 5: Grimm.]

[Footnote 6: _Geschichte der bildenden Kuenste_. Comp. Grimm,
_Deutsche Rechtsaltertuemer_.]

[Footnote 7: Grimm.]

[Footnote 8: Carriere, _Die Poesie_.]

CHAPTER II

[Footnote 1: Clement of Rome, i _Cor._ 19, 20. Zoeckler, _Geschichte
der Beziehungen zwischen Theologie und Naturwissenschaft_.]

[Footnote 2: Comp. _Vita S. Basilii_.]

[Footnote 3: _Basilii opera omnia_. Parisus, 1730.]

[Footnote 4: _Cosmos_.]

[Footnote 5: Biese, _Die Entwickelung des Naturgefuehls bei den
Griechen und Roemern_.]

[Footnote 6: _Melanges philosophiques, historiques, et litteraires_.]

[Footnote 7: _Homily_ 4.]

[Footnote 8: _Homily_ 6.]

[Footnote 9: Biese, _Die Entwickelung des Naturgefuehls bei den
Griechen und Roemern_.

'In spring the Cydmian apple trees give blossom watered by river
streams in the hallowed garden of the nymphs; in spring the buds grow
and swell beneath the leafy shadow of the vine branch. But my heart
knoweth no season of respite; nay, like the Thracian blast that
rageth with its lightning, so doth it bear down from Aphrodite's
side, dark and fearless, with scorching frenzy in its train, and from
its depths shaketh my heart with might.']

[Footnote 10: Comp. Biese, _op. cit._]

[Footnote 11: _Deutsche Rundschau_, 1879.]

[Footnote 12: Comp. Biese, _op. cit._]

[Footnote 13: Chrysostom was not only utilitarian, but praised and
enjoyed the world's beauty. From the fifth to third century, Greek
progress in feeling for Nature can be traced from unconscious to
conscious pleasure in her beauty.]

[Footnote 14: _De Mortalitate_, cap. 4.]

[Footnote 15: _Geschichte der christlich-lateinischen Literatur_.]

[Footnote 16: When one thinks of Sappho, Simonides, Theocritus,
Meleager, Catullus, Ovid, and Horace, it cannot be denied that this
is true of Greek and Roman lyric.]

[Footnote 17: As in the Homeric time, when each sphere of Nature was
held to be subject to and under the influence of its special deity.
But it cannot be admitted that metaphor was freer and bolder in the
hymns; on the contrary, it was very limited and monotonous.]

[Footnote 18: In _Cathemerinon_.]

[Footnote 19: Comp. fragrant gardens of Paradise, Hymn 3.

In Hamartigenia he says that the evil and ugly in Nature originates
in the devil.]

[Footnote 20: Ebert.]

[Footnote 21: The Robinsonade of the hermit Bonosus upon a rocky
island is