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adens into lakes with its more tranquil stream, and is so sluggish as almost to forfeit the character of a river. The Iris, on the other hand, flowing with a swifter course than any river I know, for a short space billows along the adjacent rock, and then, plunging over it, rolls into a deep whirlpool, affording a most delightful view to me and to every spectator, and abundantly supplying the needs of the inhabitants, for it nurtures an incredible number of fishes in its eddies. Why need I tell you of the sweet exhalations from the earth or the breezes from the river? Other persons might admire the multitude of the flowers, or of the lyric birds, but I have no time to attend to them. But my highest eulogy of the spot is, that, prolific as it is of all kinds of fruits from its happy situation, it bears for me the sweetest of all fruits, tranquillity; not only because it is free from the noises of cities, but because it is not traversed by a single visitor except the hunters, who occasionally join us. For, besides its other advantages, it also produces animals--not bears and wolves, like yours--heaven forbid! But it feeds herds of stags, and of wild goats and hares, and creatures of that kind. Do you not then observe what a narrow risk I ran, fool that I was, to change such a spot for Tiberine, the depth of the habitable world? I am now hastening to it, pardon me. For even Alcmaeon, when he discovered the Echinades, no longer endured his wanderings.[3] This highly-cultured prince of the Church clearly valued the place quite as much for its repose, its idyllic solitude, for what we moderns would call its romantic surroundings, sylvan and rugged at once, as for its fertility and practical uses. But it is too much to say, with Humboldt[4]: In this simple description of scenery and forest life, feelings are expressed which are more intimately in unison with those of modern tunes, than anything which has been transmitted to us from Greek or Roman antiquity. From the lonely Alpine hut to which Basil withdrew, the eye wanders over the humid and leafy roof of the forest below.... The poetic and mythical allusion at the close of the letter falls on the Christian ear like an echo from another and earlier world. The Hellenic poets of the Anthology, and the younger Pliny in Imperial days, held the
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