FREE BOOKS

Author's List




PREV.   NEXT  
|<   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146  
147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   >>   >|  
den, made beautiful by fine old trees, with paths among the vines and a stream running through it to the river, and a long avenue of poplars whose rustle blended with the noise of the mill-wheel. Beyond was a view of fields. Leon would sit for hours here undisturbed, dipping his feet in the brook under a poplar--the tree which was reputed to flourish on sand alone and give shelter to all the birds under heaven--while the rustle of the leaves sang his melancholy to sleep. His biographer goes on to say that he had the Spaniard's special delight in Nature, and understood her language and her secrets; and the veiled splendour of her tones, colours, and forms could move him to tears. As he sat there gazing at the clouds, he felt lifted up in heart by the insignificance of all things in comparison with the spirit of man. In the pitching and tossing of his 'ships of thought' he never lost the consciousness of Nature's beauty, and would pray the clouds to carry his sighs with them in their tranquil course through heaven. He loved the sunrise, birds, flowers, bees, fishes; nothing was meaningless to him; all things were letters in a divine alphabet, which might bring him a message from above. Nature was symbolic; the glow of dawn meant the glow of divine love; a wide view, true freedom; rays of sunshine, rays of divine glory; the setting sun, eternal light; stars, flowers of light in an everlasting spring. His love for the country, especially for its peacefulness, was free from the folly and excess of the pastoral poetry of his day. He did not paint Nature entirely for her own sake; man was always her master[16] in his poems, and he sometimes, very finely, introduced himself and his affairs at the close, and represented Nature as addressing himself. His descriptions are short, and he often tries to represent sounds onomato-poetically. This is from his ode, _Quiet Life_[17]: O happy he who flies Far from the noisy world away-- Who with the worthy and the wise Hath chosen the narrow way. The silence of the secret road That leads the soul to virtue and to God!... O streams, and shades, and hills on high, Unto the stillness of your breast My wounded spirit longs to fly-- To fly and be at rest. Thus from the world's tempestuous sea, O gentle Nature, do I turn to thee.... A garden by the mountain side Is mine, whose flowery blossoming Shews, even in spring's luxuriant pride, What Autu
PREV.   NEXT  
|<   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146  
147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   >>   >|  



Top keywords:
Nature
 

divine

 

spirit

 
flowers
 

heaven

 

spring

 

clouds

 

rustle

 

things

 

addressing


onomato

 
poetically
 

represented

 
represent
 
sounds
 

descriptions

 

excess

 

pastoral

 

poetry

 

peacefulness


everlasting

 

country

 

finely

 

introduced

 

master

 
affairs
 

tempestuous

 

gentle

 

breast

 

wounded


luxuriant

 

blossoming

 
flowery
 

mountain

 

garden

 

stillness

 

worthy

 

eternal

 

narrow

 

chosen


streams
 
shades
 

virtue

 

secret

 

silence

 
letters
 

shelter

 
leaves
 
flourish
 

poplar