Still, however, there were scenes in the hilly and pastoral parts of
the country, where the quality of the evergreens relieved the eye even
in this dead season.
The appearance of the country, in general, had much in it that was
peculiar. The travellers perceived at every turn some marks of the
king's singular character. Provence, as the part of Gaul which first
received Roman civilization, and as having been still longer the
residence of the Grecian colony who founded Marseilles, is more full
of the splendid relics of ancient architecture than any other country
in Europe. Italy and Greece excepted. The good taste of King Rene had
dictated some attempts to clear out and to restore these memorials of
antiquity. Was there a triumphal arch, or an ancient temple--huts and
hovels were cleared away from its vicinity, and means were used at
least to retard the approach of ruin. Was there a marble fountain,
which superstition had dedicated to some sequestered naiad--it was
surrounded by olives, almond, and orange trees--its cistern was
repaired, and taught once more to retain its crystal treasures. The
huge amphitheatres, and gigantic colonnades, experienced the same
anxious care, attesting that the noblest specimens of the fine arts
found one admirer and preserver in King Rene, even during the course
of those which are termed the dark and barbarous ages.
A change of manners could also be observed in passing from Burgundy
and Lorraine, where society relished of German bluntness, into the
pastoral country of Provence, where the influence of a fine climate
and melodious language, joined to the pursuits of the romantic old
monarch, with the universal taste for music and poetry, had introduced
a civilization of manners, which approached to affectation. The
shepherd literally marched abroad in the morning, piping his flocks
forth to the pasture, with some love sonnet, the composition of an
amorous troubadour; and his "fleecy care" seemed actually to be under
the influence of his music, instead of being ungraciously insensible
to its melody, as is the case in colder climates. Arthur observed,
too, that the Provencal sheep, instead of being driven before the
shepherd, regularly followed him, and did not disperse to feed, until
the swain, by turning his face round to them, remaining stationary,
and executing variations on the air which he was playing, seemed to
remind them that it was proper to do so. While in motion, his huge
dog,
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