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also with coursing and hawking; the Cotswolds were the grand centre of Elizabethan sport. Here it was that Shakespeare marked the falcon "waiting on and towering in her pride of place." Here he saw the fallow greyhounds competing for the silver-studded collar. What an interest and a dignity does a district such as this draw from even the slenderest association with the splendid name of William Shakespeare! For my part I freely confess that scenery, however grand and sublime, appeals but little to the imagination unless it be hallowed by association or blended in the thoughts with the recollection of those we have either loved or admired. Thus in India, in Natal and Cape Colony, in glorious Ceylon, I could admire those wonderful purple mountains and that tropical luxuriance of fertility and verdure; but I could not _feel_ them. The boundless wolds of Africa, reminding one so much of Gloucestershire, yet far grander and far finer than anything of the kind in England, were to me a dreary wilderness. Passing through the fine broken hill country of Natal was like visiting chaos, a waste, inhospitable land, "Where no one comes Or hath come since the making of the world." How well I remember the first sight of the wolds of South Africa! It was the hour of uncertain light that comes before the dawn; and as our railway train wound its tortuous course like a snake up the awful heights that would ultimately end in Majuba Hill--to which ill-fated spot I was bound--the billowy waves of rolling down seemed gradually to change to an immensely rough ocean running mountains high, and the mimosa trees dotting the plain for hundreds of miles appeared like armies of the souls of all the black men that ever lived on earth since the world began. There were passes and chasms like the portals of far-off, inaccessible Paradise, "With dreadful faces thronged and fiery arms." And then the scene changed. The hills rose like graves of white men and barrows to the long-forgotten dead. Great oblong barrows, round Celtic barrows, and stately sarcophagi. Monumental effigies in alabaster, granite and porphyry; grim Gothic castles dating back to the foundation of the world, and grim Gothic cathedrals with long-drawn aisles, where the "great organ of Eternity" kept thundering ceaselessly. For the lightning and the thunder are powers to be reckoned with in those awful realms of chaos. And then the scene chan
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